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SONGS OF ENCHANTMENT

A sequel to the Booker Prize-winning The Famished Road (1992)- -again set in a mythic African village besieged by corruption and malevolent spirits—once more celebrates the stalwart human heart's struggle to endure. Azaro, the spirit-child who defied his fellow spirits by refusing to die, continues the story of his family. His father had won a great fight, but, as Azaro reminds us, ``nothing is ever finished, struggles are never truly concluded, sometimes we have to re-dream our lives, and life can always be used to create life.'' Ahead of the family lie the invisible seven mountains of the family's destiny, and all they can do is struggle forward to reach beyond the chaos that now engulfs them. Azaro's mother has been bewitched by the mysterious, all-powerful Madame Koto, who owns a bar in the village. It is a place always undergoing ``fabulous mutations,'' where every day is a celebration, ``an affirmation of her legend.'' Azaro and his father eventually get the mother back- -but she seems changed, weighed down by the many disasters that threaten the village: a murdered man haunts the streets; a ``Jackal-headed Masquerade'' riding a white horse briefly takes over and establishes ``its kingdom of fear''; Madame Koto becomes a dread invisible presence that saps all vitality; women are turned into antelopes; Azaro's father is blinded; and politicians court the villagers with poisoned foods. The times are very much out of joint—a point overly belabored in too many evocations of evil—but Azaro's father regains his sight in a healing that is as much of the spirit as the eyes themselves, and Azaro has his own epiphany when he sees the possibility of serenity beyond the present chaos. Okri conjures up the fabulous with the same ease as he affectingly details the ways of the human spirit in a lovingly evoked African setting teeming with life—both real and mythic. At times repetitive, but stunning nonetheless.

Pub Date: Oct. 1, 1993

ISBN: 0-385-47154-8

Page Count: 304

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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