by Ben Rawlence illustrated by Lizzie Harper ‧ RELEASE DATE: Feb. 15, 2022
A timely, urgent message delivered in graceful fashion.
Trees portend the future of Earth.
A former researcher for Human Rights Watch, Rawlence has reported on vulnerable humans in war-torn Africa and in refugee camps, experiences he potently chronicled in City of Thorns and Radio Congo. His latest investigation focuses on the greatest threat to all life on the planet: climate change. To document global warming, he set out to trace the tree line, the area beyond which trees are not able to grow: “a transition zone between ecosystems” that has moved northward, “no longer a matter of inches per century,” but rather “hundreds of feet every year.” He continues, “the trees are on the move. They shouldn’t be.” The author looks particularly at six trees—three conifers and three broadleaves: Scots pine in Wales; downy birch in Norway; Dahurian larch on the Russian taiga; spruce in Alaska; balsam poplar in Canada; and mountain ash in Greenland. Each reveals a teeming “mosaic of species” as well as indelible practical, cultural, and spiritual contributions to humans. The downy birch, for example, has been used “for tools, houses, fuel, food and medicine, it is home to microbes, fungi and insects central to the food chain and is critical for sheltering other plants needed to make a forest.” Rawlence evokes the natural world in lyrical, delicate prose: the “eerie and unending” dawn in Norway; the “noble air” of the larch; the “sprawling limbs” of the balsam poplar. On his journey, he discussed the issue with scientists, environmentalists, forestry experts, Indigenous peoples, reindeer herders, and farmers. He learned that climate change does not necessarily mean extinction but sometimes overgrowth and that temperature change can disorient animals’ movements. If reindeer, for example, don’t know when to move to winter pastures, their overgrazing can decimate a habitat. Rawlence offers no solutions for changes to come, only hope “in shared endeavor, in transformation, in meaningful work for the common good.” Harper’s botanical drawings complement the text.
A timely, urgent message delivered in graceful fashion.Pub Date: Feb. 15, 2022
ISBN: 978-1-250-27023-8
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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New York Times Bestseller
by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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BOOK TO SCREEN
by David Gibbins ‧ RELEASE DATE: April 2, 2024
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.
A popular novelist turns his hand to historical writing, focusing on what shipwrecks can tell us.
There’s something inherently romantic about shipwrecks: the mystery, the drama of disaster, the prospect of lost treasure. Gibbins, who’s found acclaim as an author of historical fiction, has long been fascinated with them, and his expertise in both archaeology and diving provides a tone of solid authority to his latest book. The author has personally dived on more than half the wrecks discussed in the book; for the other cases, he draws on historical records and accounts. “Wrecks offer special access to history at all…levels,” he writes. “Unlike many archaeological sites, a wreck represents a single event in which most of the objects were in use at that time and can often be closely dated. What might seem hazy in other evidence can be sharply defined, pointing the way to fresh insights.” Gibbins covers a wide variety of cases, including wrecks dating from classical times; a ship torpedoed during World War II; a Viking longship; a ship of Arab origin that foundered in Indonesian waters in the ninth century; the Mary Rose, the flagship of the navy of Henry VIII; and an Arctic exploring vessel, the Terror (for more on that ship, read Paul Watson’s Ice Ghost). Underwater excavation often produces valuable artifacts, but Gibbins is equally interested in the material that reveals the society of the time. He does an excellent job of placing each wreck within a broader context, as well as examining the human elements of the story. The result is a book that will appeal to readers with an interest in maritime history and who would enjoy a different, and enlightening, perspective.
Gibbins combines historical knowledge with a sense of adventure, making this book a highly enjoyable package.Pub Date: April 2, 2024
ISBN: 9781250325372
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Nov. 28, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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