by Ben Wilson ‧ RELEASE DATE: April 12, 2016
An above-average addition to the when-the-modern-age-began genre.
Did the modern world begin during World War I, in 1945, or perhaps with the steam engine in the 1700s? British historian Wilson (What Price Liberty!: How Freedom Was Won and Is Being Lost, 2009, etc.) makes an engrossing case for the dozen years after 1850.
That year marked the onset of a boom triggered, according to the author, by the free market that followed Britain’s abandonment of mercantilism and tariffs in the 1840s. Wilson begins in 1851 London, where the Great Exhibition drew enraptured crowds to a dazzling display of world technology (“a day at the Exhibition meant sensory overload”). Although dominated by Britain, there were unexpected hits from the United States, as well—e.g., Cyrus McCormick’s reaper, vulcanized rubber, and the Colt six-shooter. After this initial introduction, Wilson delivers 15 largely unrelated chapters on great midcentury events. The telegraph and railroad, after two decades of modest growth, exploded across the world and under the oceans, beginning a revolution in high-speed transport and telecommunications that is still in progress. An avalanche of gold, more from Australia than California, greased economies. Against their wills, Japan and China joined the world market as Britain and Russia built Asian empires—but not without early versions of another modern phenomenon, genocide, in India and the Caucasus. The U.S. boomed as it dissolved into civil war, which barely interrupted its expansion. The 1860s saw the U.S. replacing Britain as the center of attention in a world that “has been utterly transformed by war, mass migration, economic boom, advancing trade, and the impact of new technologies.” In his epilogue on the 1873 depression, the worst in history, Wilson emphasizes that the 1850s jump-started the modern world, which is more convenient and prosperous than the old but no nicer.
An above-average addition to the when-the-modern-age-began genre.Pub Date: April 12, 2016
ISBN: 978-0-465-06425-0
Page Count: 520
Publisher: Basic Books
Review Posted Online: Feb. 27, 2016
Kirkus Reviews Issue: March 15, 2016
HISTORY | MODERN | WORLD | GENERAL HISTORY
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by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by David McCullough ‧ RELEASE DATE: May 7, 2019
Vintage McCullough and a book that students of American history will find captivating.
A lively history of the Ohio River region in the years between the Revolution and the Civil War.
McCullough (The American Spirit: Who We Are and What We Stand For, 2015, etc.) isn’t writing about the sodbusters and hardscrabblers of the Far West, the people whom the word “pioneers” evokes, but instead their predecessors of generations past who crossed the Appalachians and settled in the fertile country along and north of the Ohio River. Manasseh Cutler, one of his principal figures, “endowed with boundless intellectual curiosity,” anticipated the movement of his compatriots across the mountains well before the war had ended, advocating for the Northwest Ordinance to secure a region that, in McCullough’s words, “was designed to guarantee what would one day be known as the American way of life”—a place in which slavery was forbidden and public education and religious freedom would be emphasized. “Ohio fever” spread throughout a New England crippled, after the war, by economic depression, but Southerners also moved west, fomenting the conditions that would, at the end of McCullough’s vivid narrative, end in regional war three generations later. Characteristically, the author suggests major historical themes without ever arguing them as such. For example, he acknowledges the iniquities of the slave economy simply by contrasting the conditions along the Ohio between the backwaters of Kentucky and the sprightly city of Cincinnati, speaking through such figures as Charles Dickens. Indeed, his narrative abounds with well-recognized figures in American history—John Quincy Adams, Harriet Beecher Stowe, Johnny Appleseed—while highlighting lesser-known players. His account of Aaron Burr—who conspired to overthrow the government of Mexico (and, later, his own country) after killing Alexander Hamilton, recruiting confederates in the Ohio River country—is alone worth the price of admission. There are many other fine moments, as well, including a brief account of the generosity that one farmer in Marietta, Ohio, showed to his starving neighbors and another charting the fortunes of the early Whigs in opposing the “anti-intellectual attitude of the Andrew Jackson administration.”
Vintage McCullough and a book that students of American history will find captivating.Pub Date: May 7, 2019
ISBN: 978-1-5011-6868-0
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Aug. 26, 2019
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