The usual splendid stuff from the master of historical battle. There’s a bit of deus ex machina, but it’s tolerable.
An archer on the lam from a bum rap in his county ships out with Henry V to test his shooting and slashing skills at one of the bloodiest but most glorious battles in history.
Cornwell (Sword Song, 2008, etc.), having dealt in gorgeous detail with the role of the longbow at Crecy in his three-volume Archer series, effectively laid the groundwork for this single-volume assessment of the great victory at Agincourt. The hero this time is Nicholas Hood, easily the best archer in his neighborhood, but stuck like his younger brother at the bottom of the local food chain even though he is probably the bastard child of the local squire Lord Slayton. The Hood family was cursed by the evil Perrill family, and the two clans have been feuding for generations. The Perrills, with assistance from dastardly priest Sir Martin, frame the Hooks with a capital crime, forcing Nicholas to leave for London, then ship out for France in the King’s forces. Across the channel he is witness to slaughter and treachery at the siege of Soissons, where, following emergency prayers to St. Crispin and St. Crispinian, he acquires their saintly protection and advice as well as the companionship of lovely local lass Melisande, bastard daughter of one of the greatest French warriors. There is barely time to rest before Nicholas and Melisande ship out again, this time with the King and his expeditionary force. Prince Hal hopes to reclaim his French crown, but his strategy runs afoul of steely resistance by the defenders of the Seine port Harfleur. What was to have been a walkover turns into a long siege in which dysentery claims as many victims as battle. The finally victorious but much depleted English force, instead of calling it a day, heads under Henry toward Calais, a march that draws the attention of the vastly larger French army and finally leads to battle in the sodden fields outside the village the French call Azincourt.
The usual splendid stuff from the master of historical battle. There’s a bit of deus ex machina, but it’s tolerable.Pub Date: Jan. 20, 2009
ISBN: 978-0-06-157891-5
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2008
Then comes the fire storm and "It is so short and jumbled and jangled" . . . because there is nothing intelligent to say about a massacre but it is precise jumble and jangle, disconcerting and ultimately devastating.
Pub Date: March 21, 1969
ISBN: 0385312083
Page Count: 232
Publisher: Delacorte
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: March 1, 1969
IN THE NEWS
This novel sets out to be more than a juicy family saga—it aims to depict the moral evolution of a part of American society....
An island off the coast of Maine: Let's buy it, dear.
"Handsome, tanned, Kitty and Ogden Milton stood ramrod straight and smiling into the camera on the afternoon in 1936 when they had chartered a sloop, sailed out into Penobscot Bay, and bought Crockett's Island." This photo is clipped to a clothesline in the office of professor Evie Milton in the history department at NYU; she found it while cleaning out her mother's apartment after her death. "Since the afternoon in the photograph, four generations of her family had eaten round the table on Crockett's Island, clinked the same glasses, fallen between the same sheets, and heard the foghorn night after night." Evie jokes with an African-American colleague that the photograph represents "the Twilight of the WASPs," then finds herself snappishly defending them. Blake's (The Postmistress, 2010, etc.) third novel studies the unfolding of several storylines over the generations of this family: deaths and losses shrouded in secrecy, terrible errors in judgment, thwarted love—much of it related to or caused by the family's attitudes toward blacks and Jews. While patriarch Ogden Milton presided unflinchingly over his firm's involvement with the Nazis, his granddaughter Evie Milton is married to a Jewish man—who, like any person of his background who has visited Crockett's Island, complains that there's not a comfortable chair in the place. Kitty Milton, the matriarch, twisted by social mores into repressing her tragedies and ignoring her conscience, is a fascinating character, appealing in some ways, pitiable and repugnant in others. Through Kitty and her daughters, Blake renders the details of anti-Semitic prejudice as felt by this particular type of person. Reminiscent of the novels of Julia Glass, the story of the Miltons engages not just with history and politics, but with the poetry of the physical world. "The year wheeled round on its colors. Summer's full green spun to gold then slipping gray and resting, resting white at the bottom of the year...then one day the green whisper, the lightest green, soft and growing into the next day...suddenly, impossibly, it was spring again."
This novel sets out to be more than a juicy family saga—it aims to depict the moral evolution of a part of American society. Its convincing characters and muscular narrative succeed on both counts.Pub Date: May 7, 2019
ISBN: 978-1-250-11025-1
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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