A charming set of Vonnegutiana that will appeal to fans of his writing—and love letters in general.



Kurt Vonnegut’s letters to his first wife, Jane Marie Cox, written in the crucibles of war and young literary ambition.

Vonnegut’s eldest daughter, Edith, discovered this cache of letters, written between 1941 and 1945, in the attic of her childhood home. Smartly photographed rather than transcribed, the letters offer an engrossing portrait of the artist as a young man. Many of the future novelist’s hallmarks can be seen in embryotic form: the plainspoken wit and candor (“Sex is peachy. Why bury it with things low and vulgar”), the clever doodles (one letter includes a credible stegosaurus), and, in wartime, a heartsickness over humanity in turmoil. In 1941, Vonnegut and Cox were high school sweethearts at separate colleges: Cox at Swarthmore, studying English, Vonnegut at Cornell, ill-advisedly studying chemistry and spending most of his time writing for the student paper. His early letters to “Woofy” are giddy and flirty ("the interior of a tan sedan / cannot be part of nature's plan,” goes one bit of doggerel) and not a little pleading, hinting at marriage and a touch passive-aggressive about her dating others. World War II distanced them further and inevitably changed him: His mother died, he was captured as a POW and witnessed the bombing of Dresden (which famously inspired Slaughterhouse-Five), and grew more desperate for her attention. After they married in 1945, his letters (as he awaited official release from the Army) become more practical, as he plots a literary career. But his sense of humor and ingeniousness never waver. Two examples of Cox’s letters show that she was deeply supportive, even gushing about his literary potential, and one senses Vonnegut needed every encouragement. The two split in 1971; here, though, Vonnegut’s ardor is undiluted and a pleasure to snoop in on.

A charming set of Vonnegutiana that will appeal to fans of his writing—and love letters in general.

Pub Date: Dec. 1, 2020

ISBN: 978-0-593-13301-9

Page Count: 240

Publisher: Random House

Review Posted Online: Aug. 25, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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