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THE LAST KINGDOM

Cornwell’s no-fail mix of historic tidbits and good-humored action makes the usually gloomy ninth century sound like a hell...

A dispossessed Northumbrian gets a military education from the Danes before reluctantly signing on to serve the humorless Wessexian king, he who will eventually become Alfred the Great (849–99).

Opening yet another series, Cornwell, who turns out about two high-quality historicals a year (Sharpe’s Escape, 2004, etc.) without breaking a sweat, examines, through the eyes of a reluctant vassal, the career of the only English king to rate a Great. Born Osbert, younger son of Uhtred, ealdorman of Bebbanburg, on the coast of Northumbria, robust, war-loving Uhtred got renamed on the death of his older brother, killed by the Danes who, on a later raid, seized the lad and, admiring his spunk, kept him as a sort of pet. And Uhtred loves the Danish life. Back in Bebbanburg, his father and grumpy stepmother had been trying to have him educated by Beocca, a too-serious, too-Christian monk, but Uhtred wasn’t interested. (And Uhtred’s greedy uncle wanted him dead.) Ragnar, the warrior Dane who spared Uhtred’s life, seeing real soldier potential in the boy, taught him the fine points of disemboweling, decapitating, etc., in a blissfully wild childhood on the land the invaders had seized from the very disorganized English. Besides loving the warrior life, Uhtred finds rowdy fatalistic paganism infinitely more sensible and appealing than the morose and, well, wimpy Christianity his countrymen cling to. The one glitch in his new life is the lifelong enemy he makes when he interrupts the prepubescent sexual assault on Ragnar’s daughter by Sven, son of Kjartan, one of Ragnar’s lieutenants. Sven and Kjartan will eventually be the death of Ragnar, forcing Uhtred and his wild English girlfriend, Brida, to move south, reluctantly resuming their British identities and drifting into the camp of Alfred, the only king on the island who hasn’t capitulated to the invaders.

Cornwell’s no-fail mix of historic tidbits and good-humored action makes the usually gloomy ninth century sound like a hell of a lot of fun.

Pub Date: Feb. 1, 2005

ISBN: 0-06-053051-0

Page Count: 352

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2004

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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