The arguments are often engaging, but the narrative could have used more editing for an American audience—will appeal mostly...

PUBLIC ENEMIES

DUELING WRITERS TAKE ON EACH OTHER AND THE WORLD

A dialogue between two acclaimed French writers, originally published in France.

Liberal activist and philosopher Lévy (Left in Dark Times: A Stand Against the New Barbarism, 2009, etc.) and libertarian social satirist Houellebecq (The Possibility of an Island, 2006, etc.) collaborated for six months in 2008 to produce this book, written as an exchange of letters. Despite their eminence in the French intellectual scene, both have been attacked by the French press (and have attacked each other)—Lévy for hypocritical egotism and Houellebecq for racism. As the correspondence unfolds, the reader comes to see them in a different light—as social critics who are trying to grapple with the important issues of the day in different ways. Unfortunately, many of the topical illusions and literary and philosophical references in the book will be missed by readers unfamiliar with the specifics of French culture. While both Lévy and Houellebecq support Israeli policy toward Palestine, their stance is quite different. Houellebecq, a self-proclaimed nonbeliever, sees no value in ethnic identity; Lévy describes himself as a happy Jew, writing that “[t]here are Jews who suffer; I’m a Jew who fights.” He accuses Houellebecq of not caring enough about the destiny of the human race: “Africa’s forgotten wars, the massacres in Sarajevo, the Pakistani madrassas where jihad is taught, Algeria in the grip of mass terrorism.” How is it, he asks reflectively, that “one of us [Houellebecq] could act as if nothing was more important than to on listening to ‘Ticket to Ride’ in the company of gorgeous blondes, while the other gets up on his high horse.” Houellebecq counters by explaining why he puts personal freedom ahead of civic duty: “I believe that people who want to get too mixed up in the lives of their fellow men, to redesign or regenerate humanity excessively, are either dangerous lunatics or crooks, or both.”

The arguments are often engaging, but the narrative could have used more editing for an American audience—will appeal mostly to academics and dedicated readers of philosophy.

Pub Date: Jan. 11, 2011

ISBN: 978-0-8129-8078-3

Page Count: 320

Publisher: Random House

Review Posted Online: Aug. 30, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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