Beautiful and necessary.
A magnificent chorus of black British voices and a winner of the 2019 Booker Prize.
“Amma / is walking along the promenade of the waterway that bisects her city, a few early morning barges cruise slowly by.” These are the opening lines of Evaristo’s eighth novel. The unexpected line breaks, the paucity of punctuation and capitalization: These stylistic choices are, at first, disorienting—and that makes perfect thematic sense. Amma is a black woman, a lesbian, and a fiercely feminist playwright who is gaining mainstream attention after decades of working on the margins. Each of the 12 characters Evaristo conjures here have had to work hard to make a place for themselves in a culture that regards them as outsiders even if they’ve lived in the United Kingdom their entire lives. Instead of forcing her creations to code-switch to make their lives comfortable for general consumption, Evaristo compels the reader to accommodate and adjust. The rewards for this tiny bit of mental labor are extraordinary. There is no overarching story, but the lives of these women and one "gender-free" character intersect in revelatory ways. For example, Shirley is both one of Amma’s oldest friends and the teacher who helps Carole work her way out of a council flat and into Oxford. For Amma, Shirley grew from being “the only other brown girl” on the playground to being the straight-laced friend who always supported her unconventional career—and loaned her money when necessary. For Carole, Shirley is “Mrs King,” the no-nonsense taskmaster who only cared about her when her grades were perfect. When she takes center stage herself, we discover that Shirley is both of these people and much more. As she creates a space for immigrants and the children of immigrants to tell their stories, Evaristo explores a range of topics both contemporary and timeless. There is room for everyone to find a home in this extraordinary novel.
Beautiful and necessary.Pub Date: Nov. 5, 2019
ISBN: 978-0-8021-5698-3
Page Count: 464
Publisher: Black Cat/Grove
Review Posted Online: Oct. 18, 2019
Kirkus Reviews Issue: Nov. 15, 2019
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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