by Bernice L. McFadden ‧ RELEASE DATE: Feb. 1, 2012
A magical-realist treatment of Till’s story can succeed (see Lewis Nordan’s 1993 Wolf Whistle), but not at this level of...
This well-intentioned but seriously flawed eighth novel from McFadden (Glorious, 2010, etc.) seeks to honor the memory of Emmett Till, victim of one of America’s most horrific lynchings.
The details can still make you sick to your stomach. Fourteen-year-old Emmett, an African-American from Chicago, visited family in 1955 Mississippi; after the briefest of exchanges with a white woman, he was murdered by her relatives, who mutilated his body. His story has been told many times in novels and documentaries. Curiously, McFadden devotes fewer than 40 pages to the murder and its judicial aftermath. The long first section covers the years 1921 to 1940. The narrator (the voice of Money, the hamlet where Till was lynched) focuses on a black pastor, August, and his wife Doll, whose body has been possessed since her birth by the spirit of an evil whore called Esther. While McFadden writes convincingly of the body-soul relationship, she loses control of her family saga amidst melodramatic flourishes. Just two things are important. The first is that Doll’s granddaughter Tass will fall for Emmett. The second is that a child known as J.W. will die in a flood but return to life possessed by Esther, Doll having drowned. He will grow up to be J.W. Milam, the instigator of the lynching and a certified monster with a lust to kill, thanks to Esther. So it’s not his fault! McFadden’s bizarre interpretation cheapens Till’s story. After recounting the fateful incident at the grocery store and, touchingly, Emmett’s innocent flirtation with Tass, she hurries through the murder itself, carried out by J.W. and his weak-willed brother-in-law. A long, banal concluding section follows Tass in later life; Emmett’s spirit has attached itself to her protectively. And that wicked old Esther? On the 50th anniversary of the lynching, she returns…as Katrina.
A magical-realist treatment of Till’s story can succeed (see Lewis Nordan’s 1993 Wolf Whistle), but not at this level of distortion.Pub Date: Feb. 1, 2012
ISBN: 978-1-61775-032-8
Page Count: 250
Publisher: Akashic
Review Posted Online: Dec. 3, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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