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COLIN PRESTON ROCKED AND ROLLED

A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.

Murray charts a lustily tormented story of first love and heartbreak.

It’s September 1985 in the bosky precincts of Elerby University (though it conveys the intimacy of a small liberal arts college) in upstate New York. Colin is entering his sophomore year with a lousy love life and a lousy relationship with his father, but he does have a good friend in Karl (a handsome natural athlete who has a way with women) and in the Beatles—“when you love a band so much that its songs fill the empty spaces inside your head and heart.” But along comes Jasmine, a serious dish with lips like butter, who really gets inside Colin’s head and steals his heart. Murray’s writing is phonetic; Colin’s voice lifts from the page—young and inexperienced, star-crossed and love-lost, which will come true soon enough as Jasmine drops him like a load of bricks and proceeds, that very afternoon, to have sex with Karl, into whose room Colin charges without knocking, looking for commiseration and finding betrayal: “‘Yes! Yes! Don’t stop’…the girl demanded loudly. Her voice sounded familiar.” Murray draws Colin with immediate emotional pungency, and he doesn’t lose the beat even when the situations turn slapstick. Nor does he tidy Colin up, rather letting him sink into a great morass of self-pity from which he must drag his own sorry butt toward whatever measure of salvation a decent, immature young man can find. Yes, the Beatles do offer the solace of shared experience, of meaning and even a little direction, but it is Colin’s slowly gathering circle of friends—a very human society of odd fellows, including a dorm-cellar-dwelling delusional, a dark and mysterious Spanish professor on the run from her demons, big-hearted Big Ty and sweet Liz—who help illuminate the road ahead. Some of the sex scenes carry informational overload, but even then it is more humorous than cringing, perhaps even another epiphany that Colin collects: “There was no disappointment with Twinkies. You knew exactly what you were getting. Unlike Jasmine. Unlike love. Unlike life.”

A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.

Pub Date: Jan. 26, 2011

ISBN: 978-1439275306

Page Count: 256

Publisher: CreateSpace

Review Posted Online: March 10, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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