A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.
Murray charts a lustily tormented story of first love and heartbreak.
It’s September 1985 in the bosky precincts of Elerby University (though it conveys the intimacy of a small liberal arts college) in upstate New York. Colin is entering his sophomore year with a lousy love life and a lousy relationship with his father, but he does have a good friend in Karl (a handsome natural athlete who has a way with women) and in the Beatles—“when you love a band so much that its songs fill the empty spaces inside your head and heart.” But along comes Jasmine, a serious dish with lips like butter, who really gets inside Colin’s head and steals his heart. Murray’s writing is phonetic; Colin’s voice lifts from the page—young and inexperienced, star-crossed and love-lost, which will come true soon enough as Jasmine drops him like a load of bricks and proceeds, that very afternoon, to have sex with Karl, into whose room Colin charges without knocking, looking for commiseration and finding betrayal: “‘Yes! Yes! Don’t stop’…the girl demanded loudly. Her voice sounded familiar.” Murray draws Colin with immediate emotional pungency, and he doesn’t lose the beat even when the situations turn slapstick. Nor does he tidy Colin up, rather letting him sink into a great morass of self-pity from which he must drag his own sorry butt toward whatever measure of salvation a decent, immature young man can find. Yes, the Beatles do offer the solace of shared experience, of meaning and even a little direction, but it is Colin’s slowly gathering circle of friends—a very human society of odd fellows, including a dorm-cellar-dwelling delusional, a dark and mysterious Spanish professor on the run from her demons, big-hearted Big Ty and sweet Liz—who help illuminate the road ahead. Some of the sex scenes carry informational overload, but even then it is more humorous than cringing, perhaps even another epiphany that Colin collects: “There was no disappointment with Twinkies. You knew exactly what you were getting. Unlike Jasmine. Unlike love. Unlike life.”
A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.Pub Date: Jan. 26, 2011
ISBN: 978-1439275306
Page Count: 256
Publisher: CreateSpace
Review Posted Online: March 10, 2011
Review Program: Kirkus Indie
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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