A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.
Murray charts a lustily tormented story of first love and heartbreak.
It’s September 1985 in the bosky precincts of Elerby University (though it conveys the intimacy of a small liberal arts college) in upstate New York. Colin is entering his sophomore year with a lousy love life and a lousy relationship with his father, but he does have a good friend in Karl (a handsome natural athlete who has a way with women) and in the Beatles—“when you love a band so much that its songs fill the empty spaces inside your head and heart.” But along comes Jasmine, a serious dish with lips like butter, who really gets inside Colin’s head and steals his heart. Murray’s writing is phonetic; Colin’s voice lifts from the page—young and inexperienced, star-crossed and love-lost, which will come true soon enough as Jasmine drops him like a load of bricks and proceeds, that very afternoon, to have sex with Karl, into whose room Colin charges without knocking, looking for commiseration and finding betrayal: “‘Yes! Yes! Don’t stop’…the girl demanded loudly. Her voice sounded familiar.” Murray draws Colin with immediate emotional pungency, and he doesn’t lose the beat even when the situations turn slapstick. Nor does he tidy Colin up, rather letting him sink into a great morass of self-pity from which he must drag his own sorry butt toward whatever measure of salvation a decent, immature young man can find. Yes, the Beatles do offer the solace of shared experience, of meaning and even a little direction, but it is Colin’s slowly gathering circle of friends—a very human society of odd fellows, including a dorm-cellar-dwelling delusional, a dark and mysterious Spanish professor on the run from her demons, big-hearted Big Ty and sweet Liz—who help illuminate the road ahead. Some of the sex scenes carry informational overload, but even then it is more humorous than cringing, perhaps even another epiphany that Colin collects: “There was no disappointment with Twinkies. You knew exactly what you were getting. Unlike Jasmine. Unlike love. Unlike life.”
A coming-of-age story with plenty of sting, where love is not only blind, but it blindsides.Pub Date: Jan. 26, 2011
ISBN: 978-1439275306
Page Count: 256
Publisher: CreateSpace
Review Posted Online: March 10, 2011
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
