Berry continues to demonstrate an uncanny aptitude for weaving African-American history into entertaining, empowering...
Sociologist, motivational speaker and novelist Berry (When Love Calls, You Better Answer, 2005, etc.) digs deep to expose the roots of her family tree.
In the introduction to this intensely personal journal of her life, the author admits to a major injustice in her debut novel (Redemption Song, 2000). For the character of an antagonistic plantation owner, she used the actual name of the man who had owned the plantation she was raised on in Delaware. Though her mother told her John Hunn was a good man she refused to believe it. Her memoir seeks to make amends to Hunn, an altruistic Quaker abolitionist and “the southernmost conductor of the Underground Railroad,” while concurrently presenting her family history, saturated with stories, lyrics, proverbs, literary quotations and sage words of spiritual inspiration. Berry praises the inner strength of her mother, a hard-drinking, pious single parent raising seven children on her own in Wilmington. Though they were “cold and poor,” she writes, their gloomy fatherless family life was leavened with laughter and an unshakable sense of reverence and hope. Determined to be educated and successful, the author also pined for love and married twice, once right out of graduate school and again for the sake of her children. She doesn’t dwell on the painful, tragic moments of her past, she writes, “so that we can move right on to the healing.” Berry also retraces the path of liberation of black people from the chains of slavery. The discovery of Hunn’s benevolent history offered her first taste of spiritual freedom. Following a great deal of research and introspection, the author has created a positive book that spotlights family bonding and personal emancipation. “When we remember our ancestors and their stories,” she notes, “we light a pathway for our own journey to spiritual, emotional, and intellectual freedom.”
Berry continues to demonstrate an uncanny aptitude for weaving African-American history into entertaining, empowering stories both fictional and personal.Pub Date: Jan. 20, 2009
ISBN: 978-0-7679-2414-6
Page Count: 240
Publisher: Broadway
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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