A delightfully readable tour of a remarkable career among the rich and famous.
Fields (Gloriana, 2018, etc.) recalls an eventful life as a lawyer representing celebrities in the film, television, and music industries.
The author spent his entire professional career as an attorney, and he began by litigating courts-martial in the U.S. Air Force JAG Corps. After he left the military in 1955, he started a practice in Los Angeles and eventually garnered a stellar reputation, representing major stars, including Wayne Rogers (best known as “Trapper” John on the TV series M*A*S*H), Dustin Hoffman, and Michael Jackson. Instead of a historically exhaustive and chronologically linear autobiography, Fields furnishes a collection of anecdotal vignettes that focus on his extraordinary experience as a lawyer, and many consist of only a few pages of impressionistic remembrances. His insider’s look into the world of the famous is sometimes artfully revealing. For example, Fields was already one of Jackson’s lawyers when the singer was accused of sexually abusing a child; he resigned due to what he saw as Elizabeth Taylor’s interference. (He says that he remains convinced that Jackson was innocent of the charges, however.) Other tales are much lighter in tone; for instance, Gore Vidal turned to Fields when a movie studio refused to credit his work on the screenplay for the 1987 film The Sicilian. Fields won his case, but then Vidal, after seeing the movie, exclaimed, “Keep my name off that piece of shit!” The author also fired Donald Trump as a client, he says, because he was disgusted by a deceitful strategy that the real estate mogul employed. The author’s world seems to be full of famous people; he began writing books, he says, after Mario Puzo, author of The Godfather, encouraged him after reading one of his legal briefs. Still, the repeated references to celebrities never feel like gratuitous name-dropping. Overall, Fields’ prose style is wry, lighthearted, and crisply straightforward, and the memoir as a whole is impressively humble given the author’s many accomplishments. His book should appeal broadly to lawyers and nonlawyers alike.
A delightfully readable tour of a remarkable career among the rich and famous.Pub Date: N/A
ISBN: 978-0-9998527-5-0
Page Count: 330
Publisher: Marmont Lane Books
Review Posted Online: June 26, 2019
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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