A delightfully readable tour of a remarkable career among the rich and famous.




Fields (Gloriana, 2018, etc.) recalls an eventful life as a lawyer representing celebrities in the film, television, and music industries. 

The author spent his entire professional career as an attorney, and he began by litigating courts-martial in the U.S. Air Force JAG Corps. After he left the military in 1955, he started a practice in Los Angeles and eventually garnered a stellar reputation, representing major stars, including Wayne Rogers (best known as “Trapper” John on the TV series M*A*S*H), Dustin Hoffman, and Michael Jackson. Instead of a historically exhaustive and chronologically linear autobiography, Fields furnishes a collection of anecdotal vignettes that focus on his extraordinary experience as a lawyer, and many consist of only a few pages of impressionistic remembrances. His insider’s look into the world of the famous is sometimes artfully revealing. For example, Fields was already one of Jackson’s lawyers when the singer was accused of sexually abusing a child; he resigned due to what he saw as Elizabeth Taylor’s interference. (He says that he remains convinced that Jackson was innocent of the charges, however.) Other tales are much lighter in tone; for instance, Gore Vidal turned to Fields when a movie studio refused to credit his work on the screenplay for the 1987 film The Sicilian. Fields won his case, but then Vidal, after seeing the movie, exclaimed, “Keep my name off that piece of shit!” The author also fired Donald Trump as a client, he says, because he was disgusted by a deceitful strategy that the real estate mogul employed. The author’s world seems to be full of famous people; he began writing books, he says, after Mario Puzo, author of The Godfather, encouraged him after reading one of his legal briefs. Still, the repeated references to celebrities never feel like gratuitous name-dropping. Overall, Fields’ prose style is wry, lighthearted, and crisply straightforward, and the memoir as a whole is impressively humble given the author’s many accomplishments. His book should appeal broadly to lawyers and nonlawyers alike. 

A delightfully readable tour of a remarkable career among the rich and famous. 

Pub Date: N/A

ISBN: 978-0-9998527-5-0

Page Count: 330

Publisher: Marmont Lane Books

Review Posted Online: June 26, 2019

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1995

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