A reflective, compassionate, and gracefully written tale about a designer that effectively uses its historical setting.
In this debut novel set in 1931, a corsetiere fleeing scandal starts over in a small town, where she learns more about her past and herself.
When Marion Hatley, 33, gets a letter urging a visit to her Aunt Elsie, who is dying, the invitation is well-timed. She’s just been let go from her seamstress job after a customer witnessed Marion embracing her sister’s husband, Benton Granger. Thirty miles from Pittsburgh is little Cooper’s Ford, where Marion—hoping rumors haven’t pursued her that far—will serve as a temporary schoolteacher and care for her failing aunt in the evenings. Meanwhile, Marion can work on perfecting her mother Vera’s vision of the ideal shaping garment, both flattering and comfortable: “a corset that did not so much constrict the flesh as gently remind it to behave.” Marion, a resourceful woman, soon settles into her new routine, becoming friendly with Elsie’s excellent daytime caregiver and housekeeper, Ina Lisle, and with Elder Baines (“Elder” being a first name, not signifying a church official), who was injured in World War I, still suffers from shell shock, and helps Walter, Ina’s son, with his reading. After Marion has a breakthrough with her new shapewear design, dubbed the Whisper Lift, she begins selling her work in a local shop. Marion learns essential truths about her mother (now dead) from Elsie and becomes a force for good in the lives of several people. In her novel, Castrodale draws readers in with the fascinating details of inventing and constructing Marion’s new foundation garment, a process that requires a union of engineering, creativity, and sympathy for the female body. Sympathy directed by action is a keynote of Marion’s character and plays out in the lives of several characters in significant ways. Though some elements, such as Marion’s affair with Benton or lingerie’s ooh-la-la associations, could be played for cheaper thrills, the book’s style is serious-minded and thoughtful, even lyrical: “Marion knew what it was to watch good work and be guided by it, even months and years later.”
A reflective, compassionate, and gracefully written tale about a designer that effectively uses its historical setting.Pub Date: April 20, 2017
ISBN: 978-1-940782-02-7
Page Count: 277
Publisher: Garland Press
Review Posted Online: Jan. 23, 2017
Kirkus Reviews Issue: March 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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