Schematic plot, unconvincing characters: both undo what a potentially haunting love story.
From a usually deft storyteller (Five Fortunes, 1998, etc.), an uncompelling ghost tale, set in Maine and spanning two
centuries, that fails to either beguile or bewitch. The narrator, Hannah Gray, is getting old and wants to tell what happened before it's too late, so back in Dundee, Maine, where she spent summers, she begins her account of a malevolent spirit and thwarted love. It's winter in the small seaside village—the perfect time to describe a restless ghost bent on harming those with joyful lives. The story Hannah relates, of her encounter with the ghost, parallels the story of Claris Osgood, born in 1838 and destined for tragedy. Hannah explains how her mother, a Dundee native, died when Hannah was a baby and her father married Edith, a dejected, insecure woman. The summer Hannah was 17, the family rented the old schoolhouse in Dundee, but Hannah soon realized there was something strange about the house. She heard weeping and doors being opened, and then saw a woman in her bedroom. Curious and determined to disprove a skeptical Edith, Hannah learned the house was moved from nearby Beal Island, where a notorious murder took place in1886. In the other story, Claris grows up, marries loner Daniel Haskell, and moves to his home on Beal Island. Missing her family, Claris is consoled by her son, Amos. Later daughter Sallie is born, yet she will never be loved as much, and when Amos drowns, Claris begins behaving strangely. Next, Daniel is murdered, and Sallie is accused of the crime but acquitted. Hannah continues with her own yarn, recalling how she met and fell forever in love with Conary Crocker, a fisherman's son, and how the embittered ghost deliberately destroyed her happiness.
Schematic plot, unconvincing characters: both undo what a potentially haunting love story.Pub Date: April 1, 2000
ISBN: 0-688-17403-5
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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