by Beth Kephart ; illustrated by Roberto Innocenti ‧ RELEASE DATE: Aug. 11, 2026
A stunning reminder that the power of goodness can eclipse the ravages of disaster.
An Italian boy’s life is upended when a river near his home overflows.
The narrator, an adult looking back, begins his dramatic story calmly, by introducing his younger self, a blond Florentine child who lives with his parents “in the house by the garden, in the city that we loved.” The youngster likes to draw and play with his toy soldiers; his father binds books, and his mother works at a pasticceria. When the River Arno overflows, Papa’s books, Mama’s bread, and the boy’s treasures are washed away, and he and his parents and neighbors must flee to the safety of their rooftops. Help arrives in the form of “shopkeepers and tailors and students and mothers and artists and writers and firemen” and so on, and the boy feels awe (surely readers will as well) as these people salvage what they can from the mud, which ends up plastered to their clothes and faces: “so much mud we called them our Angeli del Fango—the Mud Angels.” In her afterword, Kephart reports that this book is based on the experience of its Florentine illustrator, Innocenti, who lived through the River Arno flood in 1966. Intense color springs from the murky wreckage in Innocenti’s visuals, which are marvels of fine detail work and make clear why he has been amply awarded for his art.
A stunning reminder that the power of goodness can eclipse the ravages of disaster. (Picture book. 5-10)Pub Date: Aug. 11, 2026
ISBN: 9781568463711
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
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by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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