Next book

MY POLICEMAN

A melancholy story about love, loss, and unnecessary suffering.

A woman looks back on her life with her husband and his gay lover.

Inspired by the love life of novelist E.M. Forster, Roberts’ new book captures an unconventional—and illegal—love triangle in 1950s England. Opening in October 1999, retired schoolteacher Marion is writing a “confession of sorts” to Patrick, her husband’s lover, for whom she is caring after a near-fatal stroke: “When I am finished, I plan to read this account to you, Patrick, because you can’t answer back any more.” From there, Marion’s letter travels back 48 years to when she met her future husband, Tom. She tells the story of her pining for Tom and how their friendship turned into (an oft one-sided) courtship. The narrative framing allows her to offer insight into her past from the perch of the present (“I remember that I once felt intense and secret things, just like you, Patrick"). About Tom and Marion’s whirlwind wedding, she writes, “At the time it was thrilling, this dizzy rush into marriage, and it was flattering, too. But now I suspect he wanted to get it over with, before he changed his mind.” Eventually, the novel switches perspectives and offers Patrick’s journal entries from the past. He writes about his beloved job as a museum curator; his relationship with Tom (whom he calls “my policeman”); and navigating his sexuality during a time when being gay was illegal. As their lives become more entangled, Marion slowly realizes the truth about Patrick and Tom. When a rash and unforgivable decision is made, their lives are changed forever. The novel’s dueling perspectives allow both Marion and Patrick to explore the pain and joy of loving the same man. Roberts beautifully captures the devastation of being unable or unwilling to live in one’s truth, and the quiet ending offers a poignant moment of respite for everyone. Marion, Tom, and Patrick haven’t led the lives they expected or wanted to, but there’s still time left. Nothing can be taken back, but perhaps the truth can begin to heal them all.

A melancholy story about love, loss, and unnecessary suffering.

Pub Date: Aug. 3, 2021

ISBN: 978-0-14-313698-9

Page Count: 304

Publisher: Penguin

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 379


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Close Quickview