A rigorous apocalyptic backdrop and versatile characters supply seemingly endless avenues for further volumes to explore.



From the The Number Series series

In this YA sci-fi debut and the start of a series, a teen receives an unexpected ranking in a distant future, leading her to question the system’s fairness.

Numbering Day has arrived for 13-year-old Evalene Vandereth. Any citizen of the post-World War III country Eden would be elated to rank six or lower, a Number Evalene fully anticipates, because her father’s a four. So she’s understandably confounded by the 29 she receives, placing her in a precarious situation. Questioning the system, implemented years ago by the mysterious Number One, is forbidden, but Evalene wonders whether her ranking stems from her mother’s involvement in the Bloom Rebellion, helping high-Number refugees escape Eden. After five years of servitude in her largely indifferent father’s household, Evalene flees Eden with fellow high Number Kevra Greene. Other nations have been ravaged by war and disease, according to classes in Eden, but Number-free countries do exist, including the island of Hofyn. That’s where Evalene and other escapees go, led by a man named Jeremiah. Thousands of people live independently in Hofyn, but Jeremiah wants them to storm Eden and expose corruption—including by Number One, who professes that God grants the Numbers. This will surely entail a war, and Evalene must decide if she’ll join the fight. Atazadeh’s adept series opener builds a laudable dystopian world through the eyes of the young protagonist. Some vivid chapters center on Jeremiah, but the author wisely keeps the spotlight on Evalene and her mostly internal struggle: she can’t help but measure her own value by her assigned Number. Despite hints of Christianity, the religious overtones are generally broad; being a “true believer” like Jeremiah, for example, isn’t the goal but merely indicative of resisting oppression. The unembellished prose, meanwhile, gives touches of inspiration a divine simplicity: “Faith is a choice.” Nevertheless, while Evalene certainly endures menaces (under the thumb of resentful housekeeper Daeva), others’ plights are more harrowing (Kevra’s tormented by a lecherous boss).

A rigorous apocalyptic backdrop and versatile characters supply seemingly endless avenues for further volumes to explore.

Pub Date: Dec. 3, 2017


Page Count: -

Publisher: Grace House Press

Review Posted Online: Nov. 7, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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