The journalistic flatness of the narrative and Carter’s tendency toward easy sentimentality make for a disappointingly...
As the title implies, Carter's latest (The Puzzle King, 2009, etc.) explores the experiences of a group of Jewish refugees from Germany in 1930s New York City while also offering a nod to earlier Irish immigrants.
Carter takes her time establishing protagonist Egon Schneider’s family history and credentials. In 1890, illustrator Elisabeth Arnstein and naturalist Rudolph Schneider, both secular Jews, fall in love, marry, and raise only child Egon. By 1900, the publication of their opus European Ornithology has earned the couple a reputation as “the Audubons of Europe.” After Elisabeth’s death, her sensitive spirit broken by the poverty she witnesses in post–WWI Germany, Egon decides to become a doctor. His college roommate, Meyer Leavitt, an aspiring writer, recognizes the Nazi threat before Egon does, but by the late 1930s both men, along with a number of acquaintances—this story is about survivors, not the victims left behind—have arrived in Manhattan. Meanwhile Carter shifts gears to trace the family history of Catrina Harty, the daughter of Irish immigrants. By her late 20s, Catrina has survived her father’s desertion when she was a child and the deaths of not one but two husbands, one barely explained, the other under suspicious circumstances. The romance of Egon and Catrina, who meet at the grocery deli counter where Egon works since his medical license is useless in America, must weather any number of obstacles, but their interminable goodness and kindness make for rather dull characters. More intriguing are some members of Egon’s circle: a bitter, formerly wealthy banker’s daughter; a couple who are too homesick for Germany to adjust to their new world; and secretly sensitive pessimist Meyer, who writes about his friends with brutal love.
The journalistic flatness of the narrative and Carter’s tendency toward easy sentimentality make for a disappointingly pedestrian take on what should be a dramatically charged subject given today’s refugee crisis.Pub Date: Sept. 12, 2017
ISBN: 978-1-4555-7143-7
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
