A memoir by a woman who measures out her life in kitchen utensils, from her father’s orange-juice squeezer to an olive wood spoon used to stir “the stockpot of memories” simmered here. Fussell (The Story of Corn, 1992, etc.) begins with a tour of her kitchen, noting the odd implements in what the French call “the batterie de cuisine,” including crushers, beaters, scrapers and grinders. “Cooking is a brutal business,” she comments, moving on to describe a childhood, if not brutal, at least marked by tragedy and hardship. When she was two, her mother died from ingesting rat poison (“the mouth is the . . . portal to the Other Side,” notes Fussell much later). Moved from the care of loving grandparents into a new home with her father and stepmother, she spent most of the next decade sobbing, until she left for college. There she met and fell in love with then would-be writer Paul Fussell. Characterizing the beginning of her marriage as the “Invasion of the Waring Blenders” (they received two for wedding presents), she discovered sex and lobsters on her honeymoon and chafed at the restraints of being a post-WWII housewife while her husband studied for his Ph.D. Her own postgraduate studies were interrupted frequently as she followed her now professor-husband from university to university, bearing two children and finally settling in Princeton, N.J. There she and other faculty wives were caught in a culture of drinking, sensuous flirtations, and menus with French accents. Her affair with food lasted far longer than her affair with one of her husband’s colleagues. Unable to find a job teaching, she began to write about food, at first in newspapers and then in books. Her marriage ended when she confronted her husband in bed with another man, described in a chapter titled “Cold Cleavers.” Carefully and skillfully written, but curiously unfulfilling, like a rich cassoulet without seasoning. (Author tour)
Pub Date: Oct. 20, 1999
ISBN: 0-86547-577-6
Page Count: 240
Publisher: North Point/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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