A royally original and captivating debut.
In the tradition of Princess Grace and Princess Diana, Bartlett’s heroine is thrust into the spotlight to lead a life both decadent and tragic.
Isabella Cordage was born a minor player in the royal circles of Bisbania, a small mythical country in Europe. Her candor and ease allow her to become the Prince of Gallagher’s closest female confidant. Though her social status makes her an improbable candidate for queen, Isabella manages to stand out amidst a gaggle of royal sycophants and capture the prince’s heart. Now under the scrutiny of paparazzi, who dub her Princess Izzy, Isabella finds that her life has become fodder for the tabloids. And she has one secret: a friendship with an American mechanic many years before her engagement. While attending Yale, Geoffrey performed weekly maintenance on Isabella’s automobile. During the routine car-bomb inspections, the two developed an easy camaraderie, and he introduced her to the poetic lyrics of Bruce Springsteen (hence the title). The couple managed a brief kiss, redolent with romantic possibility, before Isabella returned home. Now positioned to be queen, she worries about a photograph that may have been snapped of this kiss. In order to keep her past a secret and stave off a pre-wedding press bonanza, Isabella decides to buy Geoffrey’s silence, offering him a position at the castle. Though he would never think of extorting Isabella, the lure of financial security and the glamour afforded by living among royalty bring Geoffrey and his young wife to Bisbania. This sets in motion a course of events that leaves the reader frantically flipping pages to solve the fantastic riddles hidden within. Bartlett’s narrative voice is whimsical without ever being absurd; her only fault is her overly ambitious attempt to pull off one too many devastating revelations: Plane crashes, paternity questions and romantic entanglements are more than enough to keep the plot zooming along.
A royally original and captivating debut.Pub Date: March 23, 2006
ISBN: 0-446-69559-9
Page Count: 256
Publisher: 5 Spot/Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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