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DARJEELING

A textured melodrama.

A novelist and Indian cookbook writer mixes a sensual and at times suspenseful transcontinental family saga as two sisters vie for the same man.

This time out, Kirchner (Sharmila’s Book, 1999, etc.) combines several ingredients to make for a satisfying tale, including family discord and forbidden love. After older sister Aloka and younger sister Sujata both fell for Pranab, a Sanskrit scholar and manager of their family’s tea plantation, the two were forced to leave their home in Darjeeling. The story opens in New York ten years after that event, when Aloka, now a reporter at a newspaper for Indian immigrants, finds that her hard-won marriage to Pranab (she’s the one who got him) is ending, and, cutting back to Darjeeling, the author retraces the drama that occurred a decade before. Although Pranab and Aloka were engaged, Sujata and he shared a desire to better the living conditions of tea workers, and common sensibilities bloomed into a passionate but prohibited affair. When Sujata’s family discovered it, they banished her to Canada and threatened Pranab’s life. Despite his tryst with her sister, Aloka managed to secure Pranab’s vows, and the couple escaped to New York. A decade later, no one is happy. Pranab is bitter in marriage and unhappy in the US. Aloka finds letters suggesting Pranab’s unfinished affection for Sujata, and she faces the stigma of being an Indian divorcée. Although she’s built a successful tea-import business, Sujata resents the family who exiled her, and unresolved conflicts on all sides come to a head when the sisters and Pranab are summoned back to Darjeeling for a family birthday. Spicing her narrative with Bengali phrases, Kirchner suggests sympathy for her many characters, but her resolutions of their conflicts can seem insubstantial: Aloka and Pranab’s marriage is roughly sketched, and deeper tensions in the plot are too often resolved with a quickness that makes them emotionally unconvincing.

A textured melodrama.

Pub Date: July 1, 2002

ISBN: 0-312-28642-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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