A PRAYER FOR THE DEPARTED

TALES OF A FAMILY THROUGH THE DECADES OF THE LAST CENTURY

Novelist and playwright Broder (Taking Care of Cleo, 2006, etc.) presents a series of vignettes about his family.

Broder begins by delving into his parents’ life stories, tracing the contours and examining particular moments (“All histories are selective,” Broder says in the foreword). The book is organized by decades and shares meaningful moments, beginning in the early 20th century before Broder’s birth (which sets the stage) and carrying through to the ’80s. While the book lacks a traditional narrative structure and arc, its straightforward, sweet retelling will remind readers of a grandfather sharing his delightfully quaint history, a peek into a sepia-toned old world. Readers learn of Broder’s father’s self-discipline and ethics and his mother’s lack of confidence. Intriguingly, the author doesn’t simply superficially serve a scramble of stories. Instead, he utilizes these portraits to demonstrate the effects of his parents’ behavior on his personality and growth. For instance, upon Broder’s discovery of an old paper of his father’s that succinctly detailed his father’s goals and aspirations, the father comes to represent “moral standards.” Broder’s careful, eloquent meditations upon family life transform this account from a mere history or memoir to a celebration of, and tribute to, family life. “What a curious idea,” Broder says when examining the idea that his family had “shared a life.” This curiosity propels the book and lends an authenticity and engaging quality to the author’s musings. Though his subject matter may seem extremely limited and personal, his elegiac, sincere storytelling keeps readers hooked and appreciative of a time that once was. The book’s glance at history as a moving force and its examination of each decade allow readers to realize and experience history and the past. Broder not only shares his life and journey with readers, but allows them to touch and feel it. A tender, inquisitive book that will appeal to those from old and new worlds.

 

Pub Date: Aug. 15, 2011

ISBN: 978-1461138938

Page Count: 233

Publisher: CreateSpace

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A vivid sequel that strains credulity.

THE ESCAPE ARTIST

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 21, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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