Good fuel for those who think that the sitting U.S. president is the worst thing to happen to democracy since Xerxes.
The West is premised on political and economic ideals that are under threat—from Beijing, from Moscow, and from Washington, D.C.
Emmott (Good Italy, Bad Italy: Why Italy Must Conquer Its Demons to Face the Future, 2012, etc.), former editor-in-chief of the Economist—which is seen as conservative just about everywhere except the U.S.—holds that the West is as much an idea as it is a geographic entity: the West is found in Seoul, Tokyo, and Kuala Lumpur as well as Paris and London. It relies on the operation and staunch defense of several principles, first among them relative equality of income and opportunity as well as openness—i.e., a society that is “open to new ideas, new elites, new circumstances and new opportunities whether of trade in goods and services or of culture and science.” An open society is thus one of porous borders rather than of walls, friendly to free trade agreements as opposed to protectionist tariffs, outward-looking rather than nationalist. There have been many well-documented studies of inequality, but Emmott’s appeal to openness recalls arguments not heard since Karl Popper, ones that are now broadly unwelcome anywhere that the words “liberalism” and “liberal democracy” are viewed with suspicion. Emmott examines aspects of inequality, international affairs, and the failures of one ideal or another in actual practice. As he notes, with respect to the abandonment of free trade agreements, if you pick a fight with a foreigner, a foreigner is likely to pick a fight with you, and “to deal with…enemies, the West’s greatest asset in the past has been its friendships,” friendships likely to be lost to isolationism and the resulting reshifting of world power relations. Emmott uses plenty of facts and figures to support his argument, which is profoundly one of ideas—and how the idea of the open, free, Western society is better than that of authoritarianism.
Good fuel for those who think that the sitting U.S. president is the worst thing to happen to democracy since Xerxes.Pub Date: May 9, 2017
ISBN: 978-1-78125-734-0
Page Count: 256
Publisher: PublicAffairs
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.
A cornucopia of shrewd cultural observations from New York Times columnist West (Shrill: Notes From a Loud Woman, 2016).
In 18 pointed essays, the author addresses a variety of topics, including frivolous internet sensation Grumpy Cat, South Park, Guy Fieri, and the global significance of abortion rights and gender equality. In West’s opening tirade, she denounces Donald Trump’s repetitive usage of the term “witch hunt” while scrutinizing his uncanny “ability to conjure reality out of hot air and spittle.” This essay serves as the launching pad for further pieces exposing the sorry state of contemporary American politics and popular culture. Tough, irritated, and eager to speak her truth, the author expounds on the unifying aspects of visibility and activism to cultivate change, especially when countering the denigration of women. Her sharp wit and no-nonsense sense of humor also shine through her dissection of the work of Adam Sandler, Gwyneth Paltrow’s diet plan (her avocado smoothie “could give diarrhea an existential crisis”), and how movies like Clue shaped her perspectives and appreciation for one-liners and physical comedy. West rarely minces words, especially regarding documentaries on the Ted Bundy murders and the Fyre Festival or when expressing her sheer appreciation for the legacy of Joan Rivers, and her writing is fluid and multifaceted. Though she often rages at social injustice, she also becomes solemnly poetic when discussing her fondness for the drizzly Pacific Northwest, where she was raised and still resides, a place where she can still feel her deceased father’s presence “in the ridges and grooves of my city—we are close, superimposed, separated only by time, and what’s that? This is the only religion I can relate to.” Only occasionally are the smoothly written essays hijacked by intrusive asides—e.g., her experience inside a proselytizing Uber driver’s car, a scene wedged into her reflections on climate change. Though uneven at times, the author drives home the critical issues of our time while taking time to tickle our funny bones.
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-44988-5
Page Count: 272
Publisher: Hachette
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
An intriguing examination of the complexity of female power in a variety of relationships.
A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”
Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”
An intriguing examination of the complexity of female power in a variety of relationships.Pub Date: March 3, 2020
ISBN: 978-1-9821-2801-2
Page Count: 256
Publisher: Free Press
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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