Intriguing, wide-ranging research informed by a confident point of view.

All Against The Law


Friedman (Designing Casinos to Dominate the Competition, 2000, etc.) explores the history of Depression-era crime and politics, from Midwestern bank robberies to the Truman White House.

Friedman’s wide-ranging history orbits around one event and the questionable government response: the Kansas City Massacre of 1933, which the FBI blamed on Pretty Boy Floyd, but for which Friedman offers a different explanation. To build his case, Friedman presents the histories of four famous bank robbers—John Dillinger, Baby Face Nelson, Alvin Karpis, as well as Floyd—and how Hoover used these criminals to transform his FBI from gunless accountants into a lawless police force. According to Friedman, Hoover established himself as America’s top cop—a “fourth branch of the federal government” whose agents were poorly trained and poorly managed. From this, Friedman moves on to the corruption of Kansas City politics, from the criminal underworld to the Kansas City political machine to the career of Truman and his “mobbed-up” White House. This approach to history makes interesting connections; there’s thematic consistency (crime and politics, political misbehavior, the fight for publicity), but his history sometimes has a fragmented style, particularly when he backs up to fill in readers’ knowledge. Also, while the writing is generally clear and conversational, Friedman puts almost all dates into the endnotes, which sometimes makes the timeline harder to follow. However, those points aside, this fascinating history is full of deep research into lesser-known true crimes and some interesting anecdotes, as when the townspeople of Boley, Okla., turn on the bank robbers. Occasionally, however, interpretations seem strained or hyperbolic, and Friedman’s warranted distaste for Hoover’s machinations sometimes leads him into a hectoring style.

Intriguing, wide-ranging research informed by a confident point of view.

Pub Date: Jan. 9, 2014

ISBN: 978-1494958138

Page Count: 328

Publisher: CreateSpace

Review Posted Online: March 6, 2014

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.



Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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