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PUSHCART PRIZE XLVI

BEST OF THE SMALL PRESSES 2022

As ever, an essential volume for anyone tracking the progress of American letters.

The 46th edition of the venerable annual shows a welcome burst of new life amid lots of death.

Small presses, notes longtime editor Henderson, are the bulwark between literature and a steadily agglomerating publishing industry in which “authors become mere content providers for the present moment.” That said, present-moment concerns abound in this overstuffed anthology. In this second year of Covid, death is a constant. In his smart short story “Biology,” Kevin Wilson opens with the death of an eighth grade teacher with whom his protagonist, 25 years earlier, had had an odd conversation concerning a game called “Death Cards.” If you drew a death card, well, you die. And what if you don’t draw a death card, asks the teacher. “You still die, but you die in your sleep,” says the protagonist. “Peacefully.” Just a few pages later, in a story by Daniel Orozco, a young boy whose mother has just died of “an exceptionally rare and virulent spinal cancer” is comforted—if you can call it that—by an alcoholic father who instructs him that, yes, we all die, and that when we do, “that’s all she wrote.” In a memorable short poem called “Black Box,” Sandra Lim conjures quiet grief: “Make him come back, she said, / her voice like something brought up intact / from the cold center of a lake.” Suicide, 9/11, the war in Afghanistan, all find their places here. Refreshingly, the old guard is not much evident in favor of comparatively new voices, though stalwart Joyce Carol Oates turns in an attention-getting prose poem incorporating parole petitions of the now elderly Manson family women: “Because I hated them. Because I had always hated them—beautiful women and girls,” says one to excuse her murderousness. A particularly high point: Sidestepping all the mayhem, in an essay called “The Kaleshion,” Jerald Walker recounts the perilous path from Afro to Jheri curl to self-administered haircuts, one of the last of which yields a hilarious disaster and a rare and welcome moment of laughter.

As ever, an essential volume for anyone tracking the progress of American letters.

Pub Date: Dec. 7, 2021

ISBN: 978-0-9600977-4-6

Page Count: 576

Publisher: Pushcart

Review Posted Online: Sept. 28, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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