A state-of-the-art, essential report on current literary trends.
Forty-seven years on, the venerable literary annual shows no signs of creakiness.
There was a time when the Pushcart Prize, its winners culled from dozens of journals, seemed the province of big names. (We’re looking at you, Joyce Carol Oates.) This newest number has a few heavyweights—Alice McDermott, Rita Dove, Gail Godwin—but is populated more equitably by early- to midcareer writers. Not surprisingly, after years of pandemic, many are preoccupied by death. One memorable evocation comes from Ada Limón, whose dying subject swims out to sea to behold and be examined by the “eye of an unknown fish,” a melancholic moment that is still oddly comforting in commemorating a woman who, in those cold waters, was “no one’s mother, and no one’s wife, / but you in your original skin.” Essayist Debra Gwartney recounts the defiant, shattering death of her husband—a famed writer whom she does not name until the end of her piece and upon whom “death swooped down...like a hawk, talons first.” Courage, innocence, and helplessness all converge in those final moments, ending with a lovely vision of that moment when one partner begins to travel where the other cannot yet go. “My mother, who is dying, / tells me to lock the doors and windows. / Winter is coming,” writes Jennifer Chang, while Idra Novey delivers an enigmatic, near-perfect story of a family that, with friends, drives an Andean highway where disaster is ready to descend at any moment: “If one of our vehicles hit a rock and fell off the cliff, there was a good chance no adults in the car would be able to name every child plummeting with them down the mountainside.” The death is not of people, though, but of the Earth itself. It would all make for grim reading in the aggregate save that each piece is so finely crafted, bracketed by work that is just as good, another memorable gathering.
A state-of-the-art, essential report on current literary trends.Pub Date: Nov. 15, 2022
ISBN: 978-0-96009-778-4
Page Count: 600
Publisher: Pushcart
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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