James, who can out-mean the noir-est of the bunch (the Harpur & Iles series), turns puckish here. He has a field day...
King Edward VIII invites Hitler to Britain.
With Wallis as his consort and the idea of abdication circumvented, King Edward VIII is delighted with Chamberlain’s peace accord with the Third Reich. Despite the misgivings of some members of Parliament, he asks Hitler to come to Britain to cement their friendship. SB, head of the Section, a secret-service division, is wary of Hitler and sends undercover agent Marcus Mount to Berlin to learn if the Führer is cozying up to Stalin in preparation for war against England. Mount and his contact, a German spying for the Brits, soon draw the attention of Major Andreas Valk, who has them tailed. The plot finds time for the slapstick collapse of a living-room chair and the attempts to replace it; quality time with Inge and Olga, two good-natured whores working out of the Toledo Club; introductions to a pair of mid-level German agents who go rogue and have to be called off by higher-ups; and much opening and closing of curtains to signal when it’s OK to meet. Valk and his two renegade underlings are sent to London to oversee safety measures for Hitler’s visit and embarrass the Crown by gathering proof of a cabinet minister’s dalliance with a married lady. They do, but not before a German spymaster’s wife avenges her husband’s dalliances by tearing up the Toledo. There’ll be more tailing, murders engineered to look like accidents, suggestions of an attempt on Hitler’s life that feature a book depository and a grassy knoll and, finally, a submarine ride to safety for some lucky souls.
James, who can out-mean the noir-est of the bunch (the Harpur & Iles series), turns puckish here. He has a field day with the psychology of spycraft, from refusing to give a direct answer to a simple question to tailing one’s shadow to turning second-guessing into an art form.Pub Date: June 1, 2011
ISBN: 978-0-7278-8003-1
Page Count: 192
Publisher: Severn House
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 15, 2011
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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