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MELIA AND JO

A delightful story of a cross-racial friendship between two kids who realize how much they need each other and the passions...

STEM becomes STEAM (science, technology, engineering, arts, and math) as Melia, an inventor, and Jo, a dancer, discover that they’re a dynamic team.

Melia loves to invent things and tinker all day long in her backyard. Then Jo moves in next door and dances her way into Melia’s inventing space. With total disregard for the sanctity of Melia’s creations, Jo flips Melia’s cereal-bowl radio onto her head to wear it as a hat, sticks a rope of black licorice into the neck of an unfinished robot, and chucks a paper airplane—that Melia is still designing—into the air. Although she’s miffed at Jo’s invasion of her space, Melia realizes that Jo has inadvertently solved some puzzling conundrums. When Melia shows Jo what a difference she has made, Jo refuses to partner with Melia…until one of Melia’s inventions saves her. Their contrasting personalities are effectively delineated in the retro-styled illustrations: Brown-skinned Jo wears a pinky-purple tutu, a pearl necklace, and feathers in her hair; blonde-haired, peachy-skinned Melia wears shorts and an orange cape and boots. The backmatter provides instructions for how to make Melia’s paper airplane and explains the benefits of turning STEM into STEAM.

A delightful story of a cross-racial friendship between two kids who realize how much they need each other and the passions that each brings to the friendship. (Picture book. 5-8)

Pub Date: Aug. 21, 2018

ISBN: 978-1-328-91626-6

Page Count: 48

Publisher: HMH Books

Review Posted Online: April 24, 2018

Kirkus Reviews Issue: May 15, 2018

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THE STREET BENEATH MY FEET

An unusual offering for the young geology nerd.

This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.

The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”

An unusual offering for the young geology nerd. (Informational picture book. 5-8)

Pub Date: May 1, 2017

ISBN: 978-1-68297-136-9

Page Count: 20

Publisher: Words & Pictures

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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