Competent coverage of a sadly underrepresented holiday.
On the Islamic holiday of Eid al-Adha, Peg + Cat practice math and kindness.
Peg, a white girl with strawberry-blonde hair, and Cat, a purple feline, visit their friends Yasmina, a beige-skinned girl wearing a hijab, and Amir, a light-brown–skinned boy wearing a suit and tie with sandals. Eid al-Adha is a “very special holiday” that Peg and Cat “had never even heard of.” Following the signature Peg + Cat formula, they first “rock out” in song. Since Eid al-Adha is about “giving to those with less,” the less than/more than mathematical symbols are introduced. The four characters play musical instruments, and Yasmina piles a silver tray with foods. Following Islamic tradition, they separate the meat into thirds: one-third for the family, one-third for neighbors and friends, and one-third for charity. Amir places two meatballs on each plate, but Peg notices that the meatballs are different sizes. This is a “Big Problem,” which they solve with a pan balance. Finally, they head out to the party. When they stop at the soup kitchen to donate some meatballs, they use math again to help out there, and when Cat shares his coveted honey cakes, he discovers how good it feels to give. The illustrations (assembled from the TV episode the book is based on) are cartoony and colorful, with graphing paper and mathematical equations in the background. Fans of Peg + Cat will enjoy learning about the Islamic holiday, but readers unfamiliar with the show may not appreciate the book’s formulaic structure.
Competent coverage of a sadly underrepresented holiday. (Picture book. 3-8)Pub Date: June 26, 2018
ISBN: 978-0-7636-9932-1
Page Count: 32
Publisher: Candlewick Entertainment
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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