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MY CONEY ISLAND BABY

O’Callaghan anatomizes these emotional and psychological odysseys, making a narrative light on incident compellingly...

Through one day in a yearslong extramarital affair, an Irish writer looks at intimacy and estrangement in an impressive work.

For more than 20 years, Michael and Caitlin have been meeting on the first Tuesday of every month and sharing a few hours in a cheap hotel in the run-down New York City beach community of Coney Island. On the winter day that dominates the story, he is 48 and she’s about 44. They first appear walking through bitter cold and wind. The book’s third sentence reads: “This is bleakness without respite.” O’Callaghan (The Dead House, 2018, etc.) also opens with some of the book’s most impressive writing, fistfuls of muscular prose that channels Seamus Heaney: “the enormous sprawl of ocean that, in close, bucks and moils. Frothing needlepoint flecks mottle a surface dull as lead, great furred bilges of surf break hard against the shoreline.” It’s almost showy, maybe forced—“needlepoint”? The prose settles down while remaining exceptional, elegiac and eloquent, in conveying insight and sympathy for the small cast’s two main players as they face an uncertain future. Michael and his wife, Barbara, grew apart when their firstborn died after 14 weeks in ICU, and Barbara has recently been diagnosed with cancer. Caitlin and her husband have come to accept the distance between them, and she knows he has had affairs. Recently he’s been offered a promotion and transfer to Peoria, Illinois. It’s clear that “bleakness without respite” doesn’t apply just to Coney Island in winter. Hard choices loom. Though age and guilt have colored their precious Tuesdays, the lovers still treasure them, but as the hours pass, they wonder if the moment has come for a long-avoided decision.

O’Callaghan anatomizes these emotional and psychological odysseys, making a narrative light on incident compellingly readable.

Pub Date: April 9, 2019

ISBN: 978-0-06-285656-2

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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