Overcoming racism, homophobia, bullying, and abuse, a theatrical star is born.
Debut memoir from the celebrated actor and singer, who has won Emmy, Grammy, and Tony Awards.
Growing up in the 1970s in the Hill District of Pittsburgh, which had “been a center of Black life in Pittsburgh for more than a century,” Porter felt like “an outcast” and was mercilessly bullied. Although recognized for his "clear and open-throated gospel boy soprano" in the Friendship Baptist Church Choir, "every time I showed up at church, the sermon would turn to the abomination of homosexual activity, of men lying with men. There was no apparent reason for this topic to surface so relentlessly. I couldn’t help feeling that somehow they knew about me." He also suffered sexual abuse by his stepfather twice a week for five years. However, blessed with a powerful voice, flair for auditioning, and relentless work ethic, Porter worked his way to the very pinnacles of his profession. He won Best Actor in a Musical for his role in Kinky Bootsin addition to an Emmy and Golden Globe nomination for Best Lead Actor in a Drama Series for his work on the TV show Pose. Porter doesn't conceal his many struggles along the way, including bankruptcy and living with diabetes and HIV. He focuses more on his triumphs, such as his sensational appearance as red carpet co-host at the 2019 Academy Awards or his entrance to the 2019 Met Gala, when he arrived on a litter carried by six shirtless men in a "Sun God" ensemble that included "a bejeweled catsuit outfitted with 10-foot wings [and] a 24-karat gold headpiece." Throughout, the author intersperses italicized passages that explore present-day issues, including the pandemic, but these attempts at timeliness are upstaged by his remarkable life story. Porter’s passionate support for music and art programs in public schools, as well as gay rights activism, are clear, but his first duty has always been to his work. "Your service is leaning into your truth," he advises, "your queerness, your authenticity."
Overcoming racism, homophobia, bullying, and abuse, a theatrical star is born.Pub Date: Oct. 19, 2021
ISBN: 978-1-4197-4619-2
Page Count: 288
Publisher: Abrams
Review Posted Online: Sept. 7, 2021
Kirkus Reviews Issue: Oct. 1, 2021
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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