Sweet, sisterly sounds in a cacophonous day.

SWISH AND SQUEAK'S NOISY DAY

Swish, a young mouse with big ears (even for a mouse), hears all kinds of noises throughout her day—many produced by her little sister, Squeak.

With such cute (and satisfyingly sonorous) names, it isn’t surprising that these mouselings charm with their bright eyes, triangular faces, pink ears, and little bulb noses. Ballet pinks, dusty-rose reds, fantastic fuchsias, teal blues, and plum purples establish a decidedly soft palette that makes for a cozy read. While curled up with these dear pictures, readers will enjoy enunciating and articulating the myriad sounds Swish encounters during her day: “Ring RING Ring,” “eeeek,” “munch munch,” “Lalalalalalala.” Integrated into the illustrations, the onomatopoeic sounds’ varied capitalization, elongation, repetition, color, and placement allow them to trill above the page in just the right pitch. Siblings will empathize with Swish when she mistakes her sister’s chewing for an alligator’s chomping, her footfall for an elephant’s thundering steps—and also when little Squeak calls out, “I’m here, Swish,” from across a crowded playground. Or whispers, “I’m scared,” in the dark.

Sweet, sisterly sounds in a cacophonous day. (Picture book. 4-6)

Pub Date: June 13, 2017

ISBN: 978-0-399-55622-7

Page Count: 32

Publisher: Knopf

Review Posted Online: March 20, 2017

Kirkus Reviews Issue: April 1, 2017

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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Too many bugs, figuratively.

LUCY'S LIGHT

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 22, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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