You’ll leave this book fulfilled in knowledge of its main subject, yet still yearning to know more.
Time and space are willfully shifted around in this historical fiction inspired by the life of a Nigerian-born man who, after having been enslaved, became a clergyman, linguist, and abolitionist in the 19th century.
Samuel Àjàyí Crowther (ca. 1809-1891) set an astonishingly triumphant example for his fellow West Africans in his rich, accomplished lifetime. After he was freed from Portuguese slavers by Britain’s Royal Navy and left in Sierra Leone, he added the first and last names to the one he’d had from birth, studied languages, and was eventually ordained an Anglican minister. He translated the Bible and other church texts into Yoruba, became the first African bishop of the Anglican Church, and campaigned against the slave trade throughout his life. This posthumously published novel by Bándélé (1967-2022), who was also a celebrated playwright and filmmaker in his native Nigeria, presents an impressionistic, mostly nonlinear narrative of this extraordinary life, beginning with Àjàyí’s childhood in his hometown of Óṣogún just before it is laid siege by the “Malian swordmen” who sold its thousands of residents into slavery. He tells his mother of a premonition he had of a god of “health and well-being” looking malarial, a sign of troubles ahead. Bándélé imposes his own imaginative resources on this and subsequent events of Crowther’s life. Only occasionally do Bándélé’s imaginative projections lead him to an anachronism—“We have heard of white men who turned the ocean into a highway,” Ájàyí’s mother tells him early on—but not often enough to obstruct the novel’s rich stew of historical perspective, storytelling brio, and humane insight. He shows as much acumen in staging conversations between the older, much-traveled Crowther and the people of his erstwhile homeland as he does in rendering a real-life meeting Crowther had with Queen Victoria and Prince Albert, whom he holds spellbound when he recites the Lord’s Prayer in Yoruba. The novel’s collagelike approach to Crowther’s story not only gives a rich sense of the dimensions of his achievement, but also offers a keener, broader perspective as to the nature of African slavery and those who were complicit in its execution, making Bándélé as effective a historian as he was a dramatist.
You’ll leave this book fulfilled in knowledge of its main subject, yet still yearning to know more.Pub Date: Sept. 3, 2024
ISBN: 9780063417083
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
