by Biyi Bándélé ‧ RELEASE DATE: Sept. 3, 2024
You’ll leave this book fulfilled in knowledge of its main subject, yet still yearning to know more.
Time and space are willfully shifted around in this historical fiction inspired by the life of a Nigerian-born man who, after having been enslaved, became a clergyman, linguist, and abolitionist in the 19th century.
Samuel Àjàyí Crowther (ca. 1809-1891) set an astonishingly triumphant example for his fellow West Africans in his rich, accomplished lifetime. After he was freed from Portuguese slavers by Britain’s Royal Navy and left in Sierra Leone, he added the first and last names to the one he’d had from birth, studied languages, and was eventually ordained an Anglican minister. He translated the Bible and other church texts into Yoruba, became the first African bishop of the Anglican Church, and campaigned against the slave trade throughout his life. This posthumously published novel by Bándélé (1967-2022), who was also a celebrated playwright and filmmaker in his native Nigeria, presents an impressionistic, mostly nonlinear narrative of this extraordinary life, beginning with Àjàyí’s childhood in his hometown of Óṣogún just before it is laid siege by the “Malian swordmen” who sold its thousands of residents into slavery. He tells his mother of a premonition he had of a god of “health and well-being” looking malarial, a sign of troubles ahead. Bándélé imposes his own imaginative resources on this and subsequent events of Crowther’s life. Only occasionally do Bándélé’s imaginative projections lead him to an anachronism—“We have heard of white men who turned the ocean into a highway,” Ájàyí’s mother tells him early on—but not often enough to obstruct the novel’s rich stew of historical perspective, storytelling brio, and humane insight. He shows as much acumen in staging conversations between the older, much-traveled Crowther and the people of his erstwhile homeland as he does in rendering a real-life meeting Crowther had with Queen Victoria and Prince Albert, whom he holds spellbound when he recites the Lord’s Prayer in Yoruba. The novel’s collagelike approach to Crowther’s story not only gives a rich sense of the dimensions of his achievement, but also offers a keener, broader perspective as to the nature of African slavery and those who were complicit in its execution, making Bándélé as effective a historian as he was a dramatist.
You’ll leave this book fulfilled in knowledge of its main subject, yet still yearning to know more.Pub Date: Sept. 3, 2024
ISBN: 9780063417083
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Share your opinion of this book
More by Biyi Bándélé
BOOK REVIEW
by Biyi Bándélé
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
Awards & Accolades
Likes
201
Our Verdict
GET IT
New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Share your opinion of this book
More About This Book
SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Jan. 20, 2026
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Share your opinion of this book
More by Jennette McCurdy
BOOK REVIEW
More About This Book
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.