Not quite a spiritual thriller but a thoughtful exploration of faith, surrender, and ecstasy.
A young woman’s life is controlled by her Zen Buddhist master in this debut novel about spirituality and sexual power.
Nicole is having an affair with her Zen master. He spies her, a damaged spiritual seeker, in his Boston Zendo, “pretty in a half formed way,” and he begins to groom her to abandon her sense of self while he takes advantage of her naiveté. She has a troubled past, and she goes to the Zendo in search of a connection that he is happy to abuse during their backroom private sessions. Nicole is haunted by guilt from her Catholic upbringing and a harsh secret involving her past as a teenage runaway; her master uses this to wrap her around his finger. “You are mine,” he tells her. “No other teacher will want you, once you have been shaped by my instruction.” Though her master makes a point of distancing himself from the patriarchal structure and rules of Catholicism, Nicole—who once wanted to be a nun and who rebelled against a strictly religious mother—is drawn to his firm commands. Even when she wants most fervently to escape him, her body responds to his voice “like church bells, like the smell of incense.” Their sexual relationship lasts a decade. “They were teacher and student, very old, accustomed friends; [yet] each time he let his hand travel up her skirt, the shock was fresh.” When Nicole realizes the relationship is too controlling and tries to take some liberty by moving away, making a new friend, and finding a new Zendo, her master creeps his way into her new life. He finds her and forces her hand: Abandon life as she knows it to be rid of him, or submit and be his.
Not quite a spiritual thriller but a thoughtful exploration of faith, surrender, and ecstasy.Pub Date: Aug. 7, 2018
ISBN: 978-0-393-65159-1
Page Count: 320
Publisher: Norton
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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