A graphic horror story that aspires to repel its readers.
A police detective attempts to deconstruct the ruined mind of a mass murderer. Maybe.
So when is a crime novel not a crime novel? When it’s really a horror story by experimentalist Butler (Sky Saw, 2012, etc.), who here composes a novel that should appeal to people who thought Mark Z. Danielewski’s House of Leaves was a nice, straightforward read. The first of five sections purports to be the diary of one Gretch Gravey, who has been booked for the murder of more than 400 victims, some of whom were ingested, some mutilated to create an arcane altar in Gravey’s home. Lots of this: “Blood helicopters chopped across my slim cerebrum like fresh diamonds, rings in screaming on small hands coming awake inside my linings, each after its own way to reach beyond me.” In the margins, a disturbed police detective named E.N. Flood writes his own interpretations and notes about Gravey’s rambling manifesto, continuing his investigation in the second section. As a supervisor and a police psychologist make other notes on Flood’s notes, doubt begins to emerge about whether Flood or Gravey even exist at all. Flood’s notes indicate that Gravey is possessed by some kind of evil entity called “Darrel” who desires a sacrifice to some imaginary kingdom called “Sod.” This all falls apart in the novel’s midsection, and we start to simply get explicit passages about a phenomenon of mass murder across America and the disintegration of Flood’s fragile psyche, with entries like this: “FLOOD: My body full of spit and blood. My mind full of holes leading to rooms full of the dead. Through the surfaces conferred their final concentration in the film containing all other film, upon which there is no rewind, no eject. A world awaiting.” It’s disturbing because it’s meant to be, but whether readers will enjoy it depends on their tolerance for Butler’s eclectic style and the novel's profane depictions.
A graphic horror story that aspires to repel its readers.Pub Date: Oct. 14, 2014
ISBN: 978-0-06-227185-3
Page Count: 400
Publisher: Perennial/HarperCollins
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.
Pub Date: Nov. 3, 1978
ISBN: 0307743683
Page Count: 1450
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1978
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.
Some thrillers produce shivers, others trigger goose bumps; Cutter’s graphic offering will have readers jumping out of their skins.
Scoutmaster Dr. Tim Riggs takes his troop for their annual camping trip to Falstaff Island, an uninhabited area not far from their home on Prince Edward Island. The five 14-year-old boys who comprise Troop 52 are a diverse group: popular school jock, Kent, whose father is the chief of police; best friends Ephraim and Max, one the son of a petty thief who’s serving time in prison and the other the son of the coroner who also serves as the local taxidermist; Shelley, an odd loner with a creepy proclivity for animal torture and touching girls’ hair; and Newton, the overweight nerdy kid who’s the butt of the other boys’ jokes. When a skeletal, voracious, obviously ill man shows up on the island the first night of their trip, Tim’s efforts to assist him unleash a series of events which the author describes in gruesome, deliciously gory detail. Tom Padgett is the subject of a scientific test gone horribly wrong, or so it seems, and soon, the Scouts face a nightmare that worms its way into the group and wreaks every kind of havoc imaginable. With no way to leave the island (the boat Tom arrived on is disabled, and the troop was dropped off by a different boat), the boys fight to survive. Cutter’s narrative of unfolding events on the island is supplemented with well-placed interviews, pages from diaries, and magazine and newspaper articles, which provide answers to the reader in bits and pieces—but perhaps more importantly, it also delivers much-needed respites from the intense narrative as the boys battle for their lives on the island. Cutter (who created this work under a pseudonym) packs a powerful punch by plunging readers into gut-wrenching, explicit imagery that’s not for the faint of heart or the weak of stomach.
Readers may wish to tackle this heart-pounding novel in highly populated, well-lit areas—snacks optional.Pub Date: Feb. 25, 2014
ISBN: 978-1-4767-1771-5
Page Count: 368
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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