Next book

The Awkward Ozarker

A CURIOUS TALE OF SELF-REINVENTION IN A SCANTILY SETTLED LAND

Engaging fish-out-of-water memories—think Green Acres but much better—that should appeal to anyone with fantasies about...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A newspaper columnist shares humorous stories of being a “city slicker” in the country.

Native Arkansan Hurt (Healer’s Twilight, 2000) is no stranger to the “hillbilly” tag that’s typically attached to Arkansas in general and the Ozarks in particular. That awareness gives his homespun memoir much of its charm. It has an easygoing, regional appeal that reflects the author’s background as a columnist whose credits range from the Jonesboro Sun in Arkansas to the Wall Street Journal. Hurt and his wife are flatlanders from the part of Arkansas that’s not the Ozarks, but they still ended up the owners of a rustic—to put it kindly—cabin on 27 acres of land on Hogback Mountain. As he notes, “Chance and serendipity play a larger role in our lives than we often care to admit, and this is what makes things so interesting and unpredictable.” He’s not kidding: consider a town meeting he describes, which includes “a quick demo on making a filter from a tin can and piece of wire, plus a refresher course in how to properly use a whistle” and the passing around of a book titled Mushrooming Without Fear. At the same time, the author is fiercely protective of his home: he can make fun of local follies, such as a medieval castle that a local started and never finished, but he’s not amused when the New York Times publishes “a snarky article” titled “Fixer-Upper. Ozarks Views. Vassals Welcome.” Hurt writes with a certain courtliness and a dry sense of humor; he freely admits that he and his wife are precisely the sort of “yuppie homesteaders” targeted by the Williams-Sonoma catalog, with its “ever-so-cute chicken coop made of red cedar.” Still, the book’s main thread is how connected the author feels to the Arkansas mountains. One criticism of the memoir is that some stories just dribble away without resolution, such as one about a young woman in an orange Camaro who barrels down a highway and into a ditch. Hurt checks on her; she’s OK and explains that she’s en route to file her marriage license—and that’s about it. But for the most part, the author makes good company.

Engaging fish-out-of-water memories—think Green Acres but much better—that should appeal to anyone with fantasies about trading bright city lights for the back country.

Pub Date: March 22, 2016

ISBN: 978-0-9973256-0-7

Page Count: 278

Publisher: Fairbourne Publishing

Review Posted Online: May 31, 2016

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview