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MY JOURNEY AS A SPORTSWRITER

A terrific memoir with lessons for young journalists, sports fans and anyone who shares the love of the games.

The classic American sportswriter reflects on a half-century of covering the games we play.

Boston Globe mainstay Ryan (The Best of Sport: Classic Writing from the Golden Era of Sports, 2005, etc.) is one of this country’s finest writers, period, fashioning wit, drama and sincerity into a wealth of stories about all kinds of sports until he went into semiretirement in 2012. Here, he recounts the arc of his career, shares advice from the golden age of old-school journalism and pens terrific anecdotes about some of basketball’s larger-than-life figures. He admits readily that his career was something of an accident, from his first internship at the Globe to inheriting the sports desk at the age of 23. “I was confident I could write a decent basketball story,” he writes. “But covering a team is something entirely different than writing about a sport. There is no manual. I’ve never discovered a course anyone can take. It is the ultimate trial-and-error experience.” Along the way, Ryan levies praise on giants like Larry Bird and Magic Johnson, weighs in on the Michael Jordan versus LeBron James debate, and shares his memories of provocative coaches like Red Auerbach, Bob Knight and Chuck Daly. The author provides a solid mix of candid, respectful and honest assessments, with much of his trademark humor added in. Despite being known for his basketball lore, Ryan is also something of a multi-instrumentalist, offering thoughtful reflections on football, baseball, Olympic hockey and even the Great American Songbook. “I love sports and I want people to know it,” he writes. “I’d like to think the word people most associate with me is ‘enthusiasm.’ Give me a good game and I’ll be happy; as a fan I may regret the outcome, but as a journalist, I’ll appreciate the drama.”

A terrific memoir with lessons for young journalists, sports fans and anyone who shares the love of the games.

Pub Date: Oct. 7, 2014

ISBN: 978-1-62040-506-2

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Aug. 7, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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