An appreciative but often bittersweet meditation on southern family and cultural change by the author In Country (1985) and Feather Crowns (1993). Like many small-town girls, Mason fled her hometown of Clear Springs, Ky., for more exciting locales—the University of Kentucky, New York City, New England—only to be inexorably drawn back. The narrative alternates between remembrance and present-tense visits to the farm where she was raised. Telling her own story, Mason is by turns vivid (as when she writes of her idyllic post-WWII childhood) and vague (describing her troubled young adulthood in the 1960s she airily declares, “The counterculture saved me” without clearly explaining how). Her early years were typically writerly and not terribly compelling: she was ostracized at school for her precocious love of books; early literary influences included Nancy Drew, the Bobbsey Twins, and Little Women. Her adventures as fan club president for the popular crooners called the Hilltoppers do add some needed spice. But the fiction writer seems far more engaged when divining the motivations and character of family, particularly her paternal grandmother and mother, whose stories are inextricably linked. Mother Chris is a resilient, hardworking woman whose life is nevertheless subjugated to the demands of her husband and mother-in-law. Chris’s bleak childhood as an orphan raised (but not loved) by relatives who were caretakers at the county poorhouse provides Mason a context for her own privileged upbringing and eventual rebellion. Grandmother Ethel, also hardworking but an inflexible matriarch prone to nervous breakdowns, dominates the family and provides a link to the disappearing lifestyle that fascinates Mason. As she struggles to extract her family’s history from their silence and emotional reserve, she learns about herself and makes a valuable connection between the family’s evolution and the larger cultural transformation of the South. A few dull stretches aside, this is a sharp, perceptive family memoir. Lucky is the clan who has a writer of Mason’s caliber to preserve and interpret its history. (Author tour)

Pub Date: May 3, 1999

ISBN: 0-679-44925-6

Page Count: 320

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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