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SARAH'S SLEEPOVER

A nighttime blackout allows a gathering of cousins to share for a brief spell in the blindness of a young girl. Sarah looks forward to sleepover weekend when all her female relatives come for the night. On this particular occasion, after the parents have gone for a visit to a neighbor’s house, the lights go out. Sarah, who delivers a gentle reality check, noting that being in the dark is business as usual for her, quiets the shrieks and howls of the girls. She leads everyone downstairs to the telephone to call the neighbor (whose number she knows by heart), identifies various noises that go bump in the night—birders will be dismayed to see a great horned owl called a “barn owl”—and generally defuses all the terror. Indeed, when the parents return and change the blown fuse, the girls shout to turn off the lights; all that illumination is interfering with their fun. It is a provocative notion that Rodriguez tenders here: the qualitatively different emotional response one has to the dark if it is brought about by external forces or the closing of one’s eyes. Graham’s familiar lush artwork ably conveys the dark’s unctuous feel. (Picture book. 5-8)

Pub Date: May 1, 2000

ISBN: 0-670-87750-6

Page Count: 32

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

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ELIZABETI'S DOLL

Charmed by her new baby brother, Elizabeti decides that she wants a baby of her own; she picks up a smooth rock, names it Eva and washes, feeds, and changes her, and carries her about in her cloth kanga. Hale dresses Elizabeti and her family in modern, brightly patterned clothing that practically glows against the earth-toned, sketchily defined Tanzanian village in which this is set. Although Eva appears a bit too large for Elizabeti to handle as easily as she does, the illustrations reflect the story’s simplicity; accompanied by an attentive hen, Elizabeti follows her indulgent mother about, mimicking each nurturing activity. The object of Elizabeti’s affection may be peculiar, but the love itself is real. Later, she rescues Eva from the fire pit, tenderly cleans her, then cradles the stone until she—Elizabeti—falls asleep. Stuve-Bodeen’s debut is quirky but believable, lightly dusted with cultural detail, and features universal emotions in an unusual setting. (Picture book. 6-8)

Pub Date: Sept. 1, 1998

ISBN: 1-880000-70-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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THE LITTLE RED PEN

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and...

Obviously inspired by "The Little Red Hen," this goes beyond the foundation tale's basic moral about work ethic to explore problem solving, teamwork and doing one’s best.

Nighttime at school brings the Little Red Pen out of the drawer to correct papers, usually aided by other common school supplies. But not this time. Too afraid of being broken, worn out, dull, lost or, worst of all, put in the “Pit of No Return” (aka trash), they hide in the drawer despite the Little Red Pen’s insistence that the world will end if the papers do not get corrected. But even with her drive she cannot do it all herself—her efforts send her to the Pit. It takes the ingenuity and cooperation of every desk supply to accomplish her rescue and to get all the papers graded, thereby saving the world. The authors work in lots of clever wordplay that will appeal to adult readers, as will the spicy character of Chincheta, the Mexican pushpin. Stevens’ delightfully expressive desk supplies were created with paint, ink and plenty of real school supplies. Without a doubt, she has captured their true personalities: the buck-toothed stapler, bespectacled scissors and rather empty-headed eraser.

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and students may take a second glance at that innocuous-looking red pen on the teacher’s desk. (Picture book. 5-8)

Pub Date: April 18, 2011

ISBN: 978-0-15-206432-7

Page Count: 56

Publisher: Harcourt

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 15, 2011

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