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ORR

MY STORY

Strictly for fans of the hockey great.

One of Boston’s most beloved athletes tells his life story.

Orr heads the extremely short list of athletes never booed in Boston, a city notorious for turning on even its greatest stars. During a brilliant career with the Bruins, cruelly cut short by injuries, he won every award hockey had to offer and retired as the greatest defenseman ever to play. If anything, he’s even more cherished now, more than 30 years later, for his modesty, courtesy and many charitable endeavors. This autobiography, by no means a tell-all, does nothing to disturb his gentlemanly image. The wonder here is that the famously reticent Orr has chosen to tell anything. He has harsh words only for his former agent Alan Eagleson, who bilked him of all the money he made in hockey, for out-of-control youth coaches and for pushy parents who rob children of the simple fun of playing the game. Otherwise, Orr has nothing but good to say about his parents, siblings, neighbors and coaches who taught him respect and responsibility as a youth in Canada; about his teammates, especially players like Johnny Bucyk, Terry O’Reilly, Derek Sanderson, Phil Esposito and general manager Milt Schmidt, to whom he attributes a lot of his pro success; about opponents he admired like Bobby Hull and Stan Mikita, Jean Béliveau, Yvan Cournoyer, Bobby Clarke and, especially, Gordie Howe, Orr’s candidate for the best player ever. Orr speaks glowingly of athletes and celebrities he’s met and admired, including Muhammad Ali, Arnold Palmer, Michael J. Fox and Ted Williams, and he devotes an entire chapter to his long friendship with former coach and Canadian icon Don Cherry. Orr skips lightly over his own on-ice achievements, dwelling only on the hard work and practice it took to become Bobby Orr, his abiding passion for hockey (including some observations on the state of today’s game) and his love for the small town of his boyhood and the big city where he became a legend.

Strictly for fans of the hockey great.

Pub Date: Oct. 15, 2013

ISBN: 978-0-399-16175-9

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 4, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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