An unhurried but immersive tale of ambition and love.
A literary novel tells the story of a struggling Indian author in three romantic periods of her life.
Farida Cooper is interviewing to be an analyst in the consumer research department at the Chicago firm The Mandalay Market when she suddenly bursts into tears. Her interviewer, Percy Faber, has just told her that her lack of an MBA disqualifies her for such a position: “Her security rested on four supports: first, a job; next, an education to improve her chances for a better job; third, a home for sanctuary when the world became unmanageable; and last, a man to share her load.” Currently, all four things are threatened. The unemployed, 50-year-old aspiring author is 10 years into a master’s degree in English at a school that is trying to kick her out, and she will soon run out of money for rent. Percy, a widower who comes from the same Bombay Parsi community as Farida, takes pity on her and invents a position for her at the firm, and his interest in this intense woman grows the more he learns about her. Interwoven with Farida’s present are the stories of her two great romantic affairs: one with the celebrated literary theorist Horace Fisch and the other with Darius Katrak, a precocious 17-year-old student in Bombay to whom she was supposedly giving art lessons. The threads depict a female artist at three stages in her life, always finding herself at odds with the culture around her and claiming that rules are made to be broken. Desai’s prose is tidy and mannered in a way that mirrors its intellectual characters: “They finished in silence, Farida afraid she had focused too glaringly on herself, Percy wondering how he might help. Ascending in the elevator to the office again he invited her to a discussion of Salman Rushdie’s Midnight’s Children.” It’s a long, slow novel that asks a lot of readers, particularly in its early sections in which Farida comes off as more than a little conceited. But as readers gain greater insight into the experiences that shaped Farida, the book becomes a satisfying, if somewhat antiquated, character study.
An unhurried but immersive tale of ambition and love.Pub Date: Oct. 27, 2021
ISBN: 9798547971600
Page Count: 416
Publisher: KDP
Review Posted Online: Nov. 17, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
