A riveting dramatization of musical history.
A novel that explores the complex relationships among classical composers Johannes Brahms and Robert Schumann and the latter’s pianist/composer wife, Clara.
When Schumann, then a young law student, first meets Clara Josephine Wieck, she’s a 9-year-old child. She’s already gaining a reputation as a pianist, though, and when he sees her play, he comes to the realization that he must devote his own life to music. He convinces Clara’s father, Friedrich, to take him on as a piano student, and he moves in with the family. Gradually, the bond between teenage Clara and Robert becomes romantic, but Friedrich furiously opposes their union and forbids them to see each other. He has reason to believe Robert is dishonorable, and he also thinks that the musician is incapable of adequately supporting his daughter financially. However, after time apart, Clara and Robert commit to each other and plan to marry against her father’s wishes. Friedrich does everything in his power to stop them, including taking them to court. After composer Felix Mendelssohn testifies on Robert’s behalf, Clara and Robert wed, but their relationship remains fraught with challenges. Robert wins fame for his original compositions but is unable to make much of an income, and he’s emasculated by Clara’s superior earning power. Clara, too, becomes frustrated that she’s sacrificed her career for his and frets about his deteriorating mental health. When Robert is committed to an asylum after a failed suicide attempt, his friend Brahms serves as a messenger between him and Clara—and falls deeply in love with her. Author Desai (Dancing about Architecture, 2013, etc.) has produced a magisterial work, which is clearly the result of astonishingly thorough research. Although the story revolves tightly around the three main figures, there are also fascinating cameos by such musical luminaries as Richard Wagner, Franz Liszt, and Fréderic Chopin, and he memorably depicts the ego-driven rivalries between them. Each has a unique personality, and the author does a lovely job of dramatizing their quirks. Still, the character of Clara steals the show, and she emerges from the shadow of her husband’s much grander reputation as a musical genius in her own right.
A riveting dramatization of musical history.Pub Date: June 29, 2015
ISBN: 978-1-5049-1590-8
Page Count: 824
Publisher: AuthorHouse
Review Posted Online: Aug. 15, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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