A novel that explores the complex relationships among classical composers Johannes Brahms and Robert Schumann and the latter’s pianist/composer wife, Clara.
When Schumann, then a young law student, first meets Clara Josephine Wieck, she’s a 9-year-old child. She’s already gaining a reputation as a pianist, though, and when he sees her play, he comes to the realization that he must devote his own life to music. He convinces Clara’s father, Friedrich, to take him on as a piano student, and he moves in with the family. Gradually, the bond between teenage Clara and Robert becomes romantic, but Friedrich furiously opposes their union and forbids them to see each other. He has reason to believe Robert is dishonorable, and he also thinks that the musician is incapable of adequately supporting his daughter financially. However, after time apart, Clara and Robert commit to each other and plan to marry against her father’s wishes. Friedrich does everything in his power to stop them, including taking them to court. After composer Felix Mendelssohn testifies on Robert’s behalf, Clara and Robert wed, but their relationship remains fraught with challenges. Robert wins fame for his original compositions but is unable to make much of an income, and he’s emasculated by Clara’s superior earning power. Clara, too, becomes frustrated that she’s sacrificed her career for his and frets about his deteriorating mental health. When Robert is committed to an asylum after a failed suicide attempt, his friend Brahms serves as a messenger between him and Clara—and falls deeply in love with her. Author Desai (Dancing about Architecture, 2013, etc.) has produced a magisterial work, which is clearly the result of astonishingly thorough research. Although the story revolves tightly around the three main figures, there are also fascinating cameos by such musical luminaries as Richard Wagner, Franz Liszt, and Fréderic Chopin, and he memorably depicts the ego-driven rivalries between them. Each has a unique personality, and the author does a lovely job of dramatizing their quirks. Still, the character of Clara steals the show, and she emerges from the shadow of her husband’s much grander reputation as a musical genius in her own right.
A riveting dramatization of musical history.Pub Date: June 29, 2015
ISBN: 978-1-5049-1590-8
Page Count: 824
Publisher: AuthorHouse
Review Posted Online: Aug. 15, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.
That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.
More Hallmarkiana, from a shameless expert in the genre.Pub Date: Sept. 19, 2000
ISBN: 0-446-52550-2
Page Count: 352
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 2000
Categories: GENERAL FICTION
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