Unlike its subject, respectably tame.



Taut biography of the iconic Southern short-story writer and novelist.

Building on scholarly research and O’Connor’s work, biographer/novelist Gooch (English/William Paterson Univ.; Godtalk: Travels in Spiritual America, 2002, etc.) delivers a sound appraisal of the author best known for her racially charged, tragicomic, unsentimental portraits of the South. The only child of devoutly Catholic parents, O’Connor (1925–64) was raised among affluent whites in Milledgeville, Ga., where the local penitentiary, insane asylum and elite Georgia State College for Women (she was class of ’45) helped shape her literary landscape. In 1946, O’Connor gained admission to the prestigious Iowa Writers’ Workshop. Her perfectly pitched sagas about religious fanatics and backwoods eccentrics quickly established her as a writer of uncommon talent and reach. O’Connor’s blithe use of the epithet “nigger” in her fiction and vast correspondence also made her a controversial figure in American letters, then and now. Stricken with lupus in her mid-20s, she retreated to Andalusia, her family’s sprawling farm on the outskirts of Milledgeville. There, under the dutiful, if challenging care of her widowed mother, she crafted such scintillatingly sardonic stories as “Good Country People,” “Revelation” and “Everything That Rises Must Converge.” She also began to breed the exotic peacocks now routinely linked with her name. Gooch offers little that has not been previously examined in scores of works on the larger-than-life author, dead at 39. Nor does he indulge those who like juicy gossip in their literary bios. He gives short shrift to the speculation surrounding O’Connor’s ardent correspondence with lesbian journalist Betty Hester, and quotes the Danish-born textbook salesman who befriended her in the ’50s dismissing rumors of their alleged sexual liaison.

Unlike its subject, respectably tame.

Pub Date: Feb. 25, 2009

ISBN: 978-0-316-00066-6

Page Count: 416

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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