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EDGE OF ARMAGEDDON

This absorbing tale deftly brings to life momentous military events of the 13th century.

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This third installment of a historical fiction series focuses on Mamluk warriors.

Graft follows up his previous book, A Lion's Share(2019), with another narrative based on highly trained, enslaved soldiers known as Mamluks. It is the year 1257 when the Sultan of Egypt is murdered in his bath. It does not take long for Cenk, a Mamluk from the preceding two installments with a penchant for koumis (fermented mare’s milk), to dispense with the culprits. But what does the future hold for Egypt? Things are tense throughout the region. This is especially true thanks to a threat from the East. Mongol forces are on the warpath; their destruction of Baghdad is ruthless and quick. Those who hope to withstand one of their invasions will need more than luck on their side. It’s a good thing Egypt has men like Leander. Leander, a Mamluk who defected from the French years ago, is on a scouting mission. What he sees is not encouraging: The Mongols’ weaponry is advanced and their numbers are immense. To further complicate matters for Leander, a spy is looking for him. Meanwhile, an accomplished Kipchak craftswoman named Esel embarks on her own path of survival. Esel seeks to escape the life of an enslaved person to help a nephew she has not seen in years. Early portions of the narrative that focus on Esel can move slowly. Readers come to understand all about how (and why) Esel is so good at making bows. They also learn how important bows are when one lives in a harsh steppe environment. Wolves eating your livestock? Better have some well-made weapons at your disposal. Nevertheless, the story kicks into a higher gear when attention turns to the Mongols. Even if some of the political maneuvering and alliances can be complicated, readers learn a lot about the opponents approaching the Mamluks. From wielding mangonels and 12-foot lances fitted with hooks to displaying a fondness for systematically destroying local structures (and subsequently catapulting the debris), a fierce group that is too often generalized as a faceless horde is skillfully illuminated. When a battle approaches, even the horses “snort their realization of what soon comes.”

This absorbing tale deftly brings to life momentous military events of the 13th century.

Pub Date: Oct. 25, 2021

ISBN: 978-1-950154-71-5

Page Count: 552

Publisher: The Sager Group LLC

Review Posted Online: Nov. 11, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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