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DIARY OF A PLAYER

HOW MY MUSICAL HEROES MADE A GUITAR OUT OF ME

Both sentimental and inspirational—for fans only.

With the assistance of Rolling Stone contributing editor Wild (He Is…I Say: How I Learned to Stop Worrying and Love Neil Diamond, 2008, etc.), country-music sensation Paisley pridefully shares his thoughts and thanks on a charmed “life in progress.”

Born in West Virginia to a schoolteacher mother and a highway worker, the acclaimed performer enjoyed musically inspired roots peopled with wise advocates who helped shape his moralistic sensibilities. The author fondly recalls the guitar he received from his grandfather, a lover of instrumental country music, on his eighth Christmas. With enthusiastic prose, Paisley writes of a swift ascent to greatness beginning in the third grade, when he asked to play guitar in church. Under the careful mentorship of professional musician Clarence Goddard, his talent branched out to songwriting at age 12 and a warm-up performance at the Wheeling Jamboree. The singer’s good fortune quickly blossomed in Nashville with a first album and the formation of a multi-city tour, what he calls a “curious kind of traveling circus.” Paisley writes of his indebtedness to bands like Alabama, Restless Heart and the Beatles, and to legendary guitarist Buck Owens and the Grand Ole Opry. There are also gushing accolades from country-music luminaries like Vince Gill, Carrie Underwood and Roy Clark, who calls him a “true superstar.” If Paisley is repetitive with personal facts, his praise of hard work is redeeming and honorable; he admits that he would be “at best mediocre if not for ingenuity and sweat.” This sage motto, coupled with the author’s obvious adoration for country music, makes the book ideal for a younger generation of devotees.

Both sentimental and inspirational—for fans only.

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-2552-3

Page Count: 240

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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