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CREATURES & CORRIDORS

Richly imagined and illustrated, a splendidly dark ode to RPGs and classic horror tales.

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In Auman’s graphic novel, a group of RPG-loving high school friends face untold horrors when they’re sucked into a cursed game and must fight their way out.

The story takes place in 1992. The author introduces a group of five teenage friends engaged in the role-playing game Creatures and Corridors by way of some satirical classifications: Brian Daly (class: Game Master; race: Half-Nerd); his sister, Joelle (class: Popular Girl; race: Alternative); Wes Wowra (class: Dumbass; race: Jock); Sofia Reyes (class: Smartass; race: Goth); and Jamal Konyar (class: Heckler; race: Full Nerd). When Brian reads from “the rarest Creatures and Corridors manual ever,” horrifying entities suddenly appear in real life, killing the Daly siblings’ father before the group can flee through a mysterious door. They find themselves in a dungeon; Brian realizes that they’ve been transported into the game and calls out to the one in charge, the Game Master, who reveals that the only way out is to “Solve the riddles. Defeat the guardians. Claim the book.” The friends make their way through various perils, encountering horrifying creatures while simultaneously hashing out typical high school issues like a budding romance and popularity woes. Mutti’s illustrations follow a classic comics style that features muted colors (sometimes Joelle’s red hair is the only color in the panel), copious terrifying details, and imaginative monsters (like the creepy Bone Guardian). Auman’s narrative expertly blends teenage drama with nonstop violent battles and RPG touchstones, such as meeting a nonplayer character. The strong language and plentiful gore indicate that this atmospheric graphic novel is intended for mature audiences. Aside from an unfortunate moment of sexist stereotyping (when Sofia reveals that she only joined the campaign because she was hoping Brian would ask her out), the storyline navigates its twists and turns with aplomb. Complete with a bloody showdown and a cliffhanger that’s likely to shock even the most seasoned RPG fiction readers, the result is a delightfully gory ride.

Richly imagined and illustrated, a splendidly dark ode to RPGs and classic horror tales.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: June 2, 2026

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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