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THE ENDERS HOTEL

A MEMOIR

An evocative account of a man coming to terms with his youth.

Memories of a boyhood spent among the beaten-down boarders who drifted through his family’s hotel in a rural Idaho town.

Since 1919, the three-story brick hotel, complete with café and bar, has anchored downtown Soda Springs, the prosperity of which has always been tied to the notorious vicissitudes of mining, farming and ranching. Schrand’s family had the misfortune of running the hotel during a period of decline—the author’s grandparents purchased the property in 1975 for $250,000 and sold it in 1992 for $85,000—when the once-grand edifice required as much repair as its motley patrons. Schrand (Creative Writing/Univ. of Idaho) sprinkles portraits of these folks—“Kid” Barger, a once famous boxer; Maya, an artist and recovering alcoholic; Vic, the ex-con; Trapper Jim, who scrounged the hotel alleyway for bait; Larry, who shot and killed his best friend—throughout the narrative. For a young child, the hotel exerted a certain kind of magic, which Schrand effectively captures in his reminiscences: exploring the vast basement with its collection of abandoned suitcases; sitting at a stool in the café eating burgers and sodas; anticipating the extra excitement that came with hunting season; building a clubhouse near the geyser out back; constructing a raft to “escape” from Soda Springs. Holding the enterprise—and to a large extent, young Schrand’s life—together were his grandparents, whose charity and decency reassured a boy who never knew his father. As Schrand grew older, work and responsibilities mounted, as did the feeling that the hotel might be a failing venture. He worked out his resentment and anger in acts of gratuitous cruelty and petty vandalism that threatened to mark him for a future not so different from the dead-enders the hotel often sheltered.

An evocative account of a man coming to terms with his youth.

Pub Date: May 16, 2008

ISBN: 978-0-8032-1769-0

Page Count: 176

Publisher: Bison/Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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