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THE LATE AMERICANS

Lots of characters. Not a lot of depth.

A Booker Prize–shortlisted author chronicles the lives of graduate students at a Midwestern university.

There’s a perverse energy to writing workshops. The ostensible goal is for writers to help each other improve their writing by critiquing it, but what everybody in the room—aside, maybe, from the presiding genius—wants is affirmation. Taylor captures this tension wonderfully in the opening scenes of his new novel. The central figure here is Seamus, a poet who not only refuses to praise “personal history transmuted into a system of vague gestures toward greater works,” but also dares to reveal his honest evaluation of another poet’s work. In addition to writing poetry, Seamus cooks for hospice patients. He’s an interesting character, and even readers who think he’s a jerk—an easily defended assessment—are almost certainly going to care about what he does and what happens to him. The opening chapter—Seamus’ story—could stand alone as a piece of short fiction, but the same is not true of what follows. In the next chapter, Taylor follows Fyodor and begins to introduce more characters than a reader can reasonably be expected to get invested in or even remember. The characters begin to lose specificity. Noah is a dancer, as is Fatima. Ivan was a dancer, but now he’s studying finance and making money via something that looks like OnlyFans. Fyodor works in a slaughterhouse, and his partner is a vegetarian. But Taylor only intermittently gives these characters and their situations the same attention he gave Seamus, and there are characters swirling around the periphery who barely register but require keeping track of. Complicated and unhappy relationships and sex that seems more like a reflex than a choice are the main motifs throughout much of the novel. Some readers might see the introduction of a new point-of-view character on Page 231 as a fresh start. Other readers might just give up.

Lots of characters. Not a lot of depth.

Pub Date: May 23, 2023

ISBN: 9780593332337

Page Count: 320

Publisher: Riverhead

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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